English Renaissance Tragedy: Ideas of Freedom
Autor Dr Peter Holbrooken Limba Engleză Hardback – 24 sep 2015
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Specificații
ISBN-13: 9781472572813
ISBN-10: 1472572815
Pagini: 256
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.38 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1472572815
Pagini: 256
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.38 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Preface
Chronology of Authors and Works
Note on the Texts
PART ONE: TRAGEDY AND FREEDOM
Introduction
The Tragic Genre
Tragedy: Freedom, Order, and Tyranny
Freedom, Tyranny, and Order in the English Renaissance
The Rhetoric of Disenchantment
Going to the Theatre in Shakespeare's London
PART TWO: PURSUING FREEDOM IN ENGLISH RENAISSANCE TRAGEDY
Gorboduc
Tamburlaine, Parts One and Two
Doctor Faustus
The Jew of Malta
Edward II
Arden of Faversham
Hamlet
Othello
King Lear
Antony and Cleopatra
The Revenger's Tragedy
The White Devil
The Duchess of Malfi
The Changeling
'Tis Pity She's a Whore
Conclusion
Notes
Bibliography
Index
Preface
Chronology of Authors and Works
Note on the Texts
PART ONE: TRAGEDY AND FREEDOM
Introduction
The Tragic Genre
Tragedy: Freedom, Order, and Tyranny
Freedom, Tyranny, and Order in the English Renaissance
The Rhetoric of Disenchantment
Going to the Theatre in Shakespeare's London
PART TWO: PURSUING FREEDOM IN ENGLISH RENAISSANCE TRAGEDY
Gorboduc
Tamburlaine, Parts One and Two
Doctor Faustus
The Jew of Malta
Edward II
Arden of Faversham
Hamlet
Othello
King Lear
Antony and Cleopatra
The Revenger's Tragedy
The White Devil
The Duchess of Malfi
The Changeling
'Tis Pity She's a Whore
Conclusion
Notes
Bibliography
Index
Recenzii
[Holbrook's] short readings of individual plays ... are fresh, provocative and frequently illuminating ... There is a great deal to engage readers of all sorts in ... this book and it is much to be welcomed.
Relies on incisive close readings of individual characters to argue that the tragic genre served as a traditional vehicle for radical expressions of political subversiveness, religious heterodoxy, and cultural relativism.
Relies on incisive close readings of individual characters to argue that the tragic genre served as a traditional vehicle for radical expressions of political subversiveness, religious heterodoxy, and cultural relativism.