Cantitate/Preț
Produs

Emotion Online

Autor J. Garde-Hansen, K. Gorton
en Limba Engleză Paperback – 2013
Travelling through theories of emotion and affect, this book addresses the key ways in which media studies can be brought to bear upon everyday encounters with online cultures and practices. The book takes stock of where we are emotionally with regard to the Internet in the context of other screen media.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 36823 lei  6-8 săpt.
  Palgrave Macmillan UK – 2013 36823 lei  6-8 săpt.
Hardback (1) 37504 lei  6-8 săpt.
  Palgrave Macmillan UK – 28 mai 2013 37504 lei  6-8 săpt.

Preț: 36823 lei

Puncte Express: 552

Preț estimativ în valută:
6521 7616$ 5665£

Carte tipărită la comandă

Livrare economică 21 februarie-07 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781349329069
ISBN-10: 1349329061
Pagini: 236
Ilustrații: VII, 236 p.
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.29 kg
Ediția:2013 edition
Editura: Palgrave Macmillan UK
Locul publicării:London, United Kingdom

Cuprins

List of Illustrations Acknowledgements Introduction PART I: THEORETICAL APPROACHES 1. Theorizing Emotion and Affect 2. Screening Emotion 3. Global Emotion PART II: CLOSE READINGS 4. Social Media, Happiness and Virtual Communities 5. Emo-techno-ecology: Fear and Anger about Climate Change 6. The Hate and Shame of Women's Bodies Online Conclusion

Notă biografică

Joanne Garde-Hansen is Reader in Media and has published Save As…Digital Memories (with Hoskins and Reading, 2009), Media and Memory (2011) and Geography and Memory (with Jones, 2012). She is Associate Professor of Culture, Media and Communication at the University of Warwick, UK.

Kristyn Gorton is Senior Lecturer in Television Studies at the University of York, UK. She is the author of Theorising Desire: From Freud to Feminism to Film (2008) and Media Audiences: Television, Meaning and Emotion (2009). She has written numerous articles on television and film for journals such as Critical Studies in Television, Studies in European Cinema and the Journal of British Film and Television.