Embodied Action: Women on Psychophysical Acting, Grotowski-Inspired Approaches: Routledge Advances in Theatre & Performance Studies
Editat de Kate Kohler Amoryen Limba Engleză Paperback – 30 mar 2027
This groundbreaking collection documents how women have inherited, practiced, and transformed Grotowski-inspired techniques since his landmark 1967 workshop at NYU. Through twenty-two chapters by women and non-binary contributors, the book explores how this oral tradition has evolved and expanded—integrating approaches such as Viewpoints, Contemplative Dance Practice, Buddhist philosophy, Roy Hart's eight-octave voice work, and Somatics. Each chapter offers both individual insight and collaborative dialogue, revealing how practitioners have made this rigorous psychophysical work their own within contemporary pedagogical and artistic contexts. The contributors provoke, illuminate, and innovate, demonstrating how Grotowski's methods continue to inspire new generations while adapting to diverse performance practices and philosophies.
This collection is essential reading for actors, acting students, theater practitioners, and anyone curious about psychophysical performance training who seeks authentic, accessible entry points into this transformative work through lived experience and multiple perspectives.
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Specificații
ISBN-13: 9781041222781
ISBN-10: 1041222785
Pagini: 320
Ilustrații: 24
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 1041222785
Pagini: 320
Ilustrații: 24
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate, Professional Practice & Development, and Undergraduate AdvancedCuprins
Contributor Biographies
Acknowledgements
Foreword
Preface
Introduction
Part I: History, Language, and Legacy
1. Why bother? Linda Putnam’s teaching and the stripdown
A. Linda Putnam’s legacy
Kate Kohler Amory
B. Mapping Linda’s work
Claire Fogal
2. My time with Grotowski in 1967
Trazana Beverley (with notes by Kate Kohler Amory)
3. Working with Grotowski in Irvine: The Mystery Play
Wendy vanden Heuvel
4. language and the learning mind
Erica Fae
Part II: Exploring Risk, Safety, and Play
5. Diving in, getting wet, and drying off
Raïna von Waldenburg and Claire Fogal
6. Play and the via negativa
Kate Kohler Amory
7. In the river of deep play
Damaris Webb
8. Remixing: Incorporation of recorded music and sound to support psychophysical approaches to privacy and image
Nora Woolley
9. Empathy bridges: Core wound, ray of light, and driving action
Andy Arden-Reese
Part III: Structures for Sustainability
10. Self-obsessed: How Buddhist teachings of “no-self” augment psychophysical acting
Caitlyn Tella
11. The actor’s mindfulness
Veronica Gabriela Santoyo
12. Warm down
Haruna Tsuchiya
13. Trauma-informed practices in psychophysical acting classes
Kristy Hartsgrove Mooers
14. The Power of Three (3³): a communal psychophysical practice
Gustine Füdickar, Valerie McCann, and Stacy Dawson Stearns
Part IV: Integration and Application
15. Ground-Path-Fruition: An embodied way of knowing
Gleason Bauer
16. What I learned from my students about the heart of a corporel form
Rebecca Holderness
17. Plastiques as a source for performance making
Brenda Leadlay
18. Spinal plastiques
Liz Stanton
19. River integration into the rehearsal process
Kathleen Weiss
20. Many voices
Lizi Watt
Part V: From Poland…
21. A contemporary voice from Poland
Kamila Klamut
Index
Acknowledgements
Foreword
Preface
Introduction
Part I: History, Language, and Legacy
1. Why bother? Linda Putnam’s teaching and the stripdown
A. Linda Putnam’s legacy
Kate Kohler Amory
B. Mapping Linda’s work
Claire Fogal
2. My time with Grotowski in 1967
Trazana Beverley (with notes by Kate Kohler Amory)
3. Working with Grotowski in Irvine: The Mystery Play
Wendy vanden Heuvel
4. language and the learning mind
Erica Fae
Part II: Exploring Risk, Safety, and Play
5. Diving in, getting wet, and drying off
Raïna von Waldenburg and Claire Fogal
6. Play and the via negativa
Kate Kohler Amory
7. In the river of deep play
Damaris Webb
8. Remixing: Incorporation of recorded music and sound to support psychophysical approaches to privacy and image
Nora Woolley
9. Empathy bridges: Core wound, ray of light, and driving action
Andy Arden-Reese
Part III: Structures for Sustainability
10. Self-obsessed: How Buddhist teachings of “no-self” augment psychophysical acting
Caitlyn Tella
11. The actor’s mindfulness
Veronica Gabriela Santoyo
12. Warm down
Haruna Tsuchiya
13. Trauma-informed practices in psychophysical acting classes
Kristy Hartsgrove Mooers
14. The Power of Three (3³): a communal psychophysical practice
Gustine Füdickar, Valerie McCann, and Stacy Dawson Stearns
Part IV: Integration and Application
15. Ground-Path-Fruition: An embodied way of knowing
Gleason Bauer
16. What I learned from my students about the heart of a corporel form
Rebecca Holderness
17. Plastiques as a source for performance making
Brenda Leadlay
18. Spinal plastiques
Liz Stanton
19. River integration into the rehearsal process
Kathleen Weiss
20. Many voices
Lizi Watt
Part V: From Poland…
21. A contemporary voice from Poland
Kamila Klamut
Index
Recenzii
“Embodied Action is a groundbreaking collection of writings by the essential but often overlooked lineage of powerful women whose teaching transformed the landscape of psychophysical acting after Grotowski. This collection not only preserves crucial history, but reveals evolving practice rooted in embodiment, presence, and radical inquiry.''
Anne Bogart, Director
“Embodied Action gives voice to the many women breaking new ground in the teaching of psychophysical theater. These authors present Grotowski-based training from a strikingly inclusive perspective and dare to integrate this tradition with other somatic trainings which support the growth of actors as creative artists.”
Stephen Wangh, Author of An Acrobat of the heart, a physical approach to acting inspired by the work of Jerzy Grotowski
“From physical, vocal, and mental health practices to Buddhist philosophy, this invaluable collection impels us to examine gender and feminist pedagogy as a vital part of Grotowski-inspired psychophysicality. These "mystress-teachers," through practice, pedagogy and reflection, evolve the parameters of whom we should study and why.”
Bella Merlin, Author of Beyond Stanislavsky: The Psycho-Physical Approach to Actor Training
“Amory brings together a community of practice, whose collective oral histories map an alternative North American genealogy to re(claim) Grotowski-inspired training. In reading this, I felt the call and response of a sisterhood, whose feminine principle and embodied wisdom harnesses the liberatory potential of this practice. You feel the love.”
Lisa Peck, Author of Act as a Feminist! Towards a Critical Acting Pedagogy
“This is a fascinating look into the experiences of powerful women artists inspired by Grotowski. Whenever I teach Grotowski’s writings at the heart of what drives us to create theater, my students are left hungry for more. I cannot wait to share this with my students!”
Jennifer Rohn, Bennington College
“Bravo for fearlessly embracing freedom! Thank you! A long time coming and indeed overdue, these courageous, outrageously generous teaching artists offer fresh voices, and an insistent invitation and means of creating one’s own technique—the only authentic technique as Grotowski famously said.”
Wendell Beavers, Founding Chair (Emeritus), Naropa University
Anne Bogart, Director
“Embodied Action gives voice to the many women breaking new ground in the teaching of psychophysical theater. These authors present Grotowski-based training from a strikingly inclusive perspective and dare to integrate this tradition with other somatic trainings which support the growth of actors as creative artists.”
Stephen Wangh, Author of An Acrobat of the heart, a physical approach to acting inspired by the work of Jerzy Grotowski
“From physical, vocal, and mental health practices to Buddhist philosophy, this invaluable collection impels us to examine gender and feminist pedagogy as a vital part of Grotowski-inspired psychophysicality. These "mystress-teachers," through practice, pedagogy and reflection, evolve the parameters of whom we should study and why.”
Bella Merlin, Author of Beyond Stanislavsky: The Psycho-Physical Approach to Actor Training
“Amory brings together a community of practice, whose collective oral histories map an alternative North American genealogy to re(claim) Grotowski-inspired training. In reading this, I felt the call and response of a sisterhood, whose feminine principle and embodied wisdom harnesses the liberatory potential of this practice. You feel the love.”
Lisa Peck, Author of Act as a Feminist! Towards a Critical Acting Pedagogy
“This is a fascinating look into the experiences of powerful women artists inspired by Grotowski. Whenever I teach Grotowski’s writings at the heart of what drives us to create theater, my students are left hungry for more. I cannot wait to share this with my students!”
Jennifer Rohn, Bennington College
“Bravo for fearlessly embracing freedom! Thank you! A long time coming and indeed overdue, these courageous, outrageously generous teaching artists offer fresh voices, and an insistent invitation and means of creating one’s own technique—the only authentic technique as Grotowski famously said.”
Wendell Beavers, Founding Chair (Emeritus), Naropa University
Notă biografică
Kate Kohler Amory is Professor of Theatre, Boston Conservatory at Berklee, and a director, actor, devisor and writer.
Descriere
Embodied Action traces three generations of women practitioners carrying Grotowski's psychophysical training legacy in North America. Twenty-two contributors explore its evolution—blending Viewpoints, Contemplative Dance, Buddhist philosophy, and Somatics.