Dissemination: Continuum Impacts
Autor Jacques Derridaen Limba Engleză Paperback – 14 oct 2004
"In Dissemination - more than in any previous work - Derrida weav[es] a complex pattern of puns, verbal echoes and allusions, intended to 'deconstruct' both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to be the literature of truth." New Statesman
Jacques Derrida (1930-) is Professor of Philosophy at École Normale Supérieure, Paris. Regarded as the founding father of Deconstruction, his influence on contemporary thought has been enormous. His impact on philosophy and literary criticism was assured by the publication of Speech and Phenomena, Writing and Difference and Of Grammatology.
First published in 1972, Dissemination contains three of Derrida's most central and seminal works: 'Plato's Pharmacy', 'The Double Session' and 'Dissemination'. The essays present a re-evaluation of the logic of meaning and the function of writing in Western discourse. This is a groundbreaking work on the relationship and interplay between language, literature and philosophy.
Translated, with an Introduction and Additional Notes by Barbara Johnson
| Toate formatele și edițiile | Preț | Express |
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| University of Chicago Press – sep 2017 | 259.90 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780826476968
ISBN-10: 0826476961
Pagini: 448
Ilustrații: 2 illustrations
Dimensiuni: 126 x 196 x 26 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Impacts
Locul publicării:London, United Kingdom
ISBN-10: 0826476961
Pagini: 448
Ilustrații: 2 illustrations
Dimensiuni: 126 x 196 x 26 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Impacts
Locul publicării:London, United Kingdom
Cuprins
Translator's Introduction
Outwork, prefacing
Plato's Pharmacy
I.
1. Pharmacia
2. The Father of Logos
3. The Filial Inscription: Theuth, Hermes, Thoth, Nabu, Nebo
4. The Pharmakon
5. The Pharmakeus
II.
6. The Pharmakos
7. The Ingredients: Phantasms, Festivals, and Paints
8. The Heritage of the Pharmakon: Family Scene
9. Play: From the Pharmakon to the Letter and from Blindness to the Supplement
The Double Session
I
II
Dissemination
I.
1. The Trigger
2. The Apparatus or Frame
3. The Scission
4. The Double Bottom of the Plupresent
5. wriTing, encAsIng, screeNing
6. The Attending Discourse
II.
7. The Time before First
8. The Column
9. The Crossroads of the "Est"
10. Grafts, a Return to Overcasting
XI. The Supernumerary
Outwork, prefacing
Plato's Pharmacy
I.
1. Pharmacia
2. The Father of Logos
3. The Filial Inscription: Theuth, Hermes, Thoth, Nabu, Nebo
4. The Pharmakon
5. The Pharmakeus
II.
6. The Pharmakos
7. The Ingredients: Phantasms, Festivals, and Paints
8. The Heritage of the Pharmakon: Family Scene
9. Play: From the Pharmakon to the Letter and from Blindness to the Supplement
The Double Session
I
II
Dissemination
I.
1. The Trigger
2. The Apparatus or Frame
3. The Scission
4. The Double Bottom of the Plupresent
5. wriTing, encAsIng, screeNing
6. The Attending Discourse
II.
7. The Time before First
8. The Column
9. The Crossroads of the "Est"
10. Grafts, a Return to Overcasting
XI. The Supernumerary
Recenzii
The English version of Dissemination [is] an able translation by Barbara Johnson . . . . Derrida's central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives-against the grain of language-to offer a sober revelation of truth. Literature-on the other hand-flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination-more than any previous work-Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to 'deconstruct' both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth.
The English version of Dissemination [is] an able translation by Barbara Johnson . . . . Derrida's central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives-against the grain of language-to offer a sober revelation of truth. Literature-on the other hand-flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination-more than any previous work-Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to 'deconstruct' both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth.
The English version of Dissemination [is] an able translation by Barbara Johnson . . . . Derrida's central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives-against the grain of language-to offer a sober revelation of truth. Literature-on the other hand-flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination-more than any previous work-Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to 'deconstruct' both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth.
Caracteristici
Includes a detailed introduction and additional notes on the text by Barbara Johnson
Notă biografică
Jacques Derrida (1930-2004) is one of the best known 20th century philosophers and is regarded as the founder of the Deconstruction movement. His work continues to be hugely influential across the humanities and social sciences and his impact on philosophy and literary criticism is unparalleled. He is author of Of Grammatology (1967), Positions (1972) and Writing and Difference (1967) among many others.