Directing with the Michael Chekhov Technique: A Workbook with Video for Directors, Teachers and Actors: Theatre Arts Workbooks
Autor Dr Mark Mondayen Limba Engleză Paperback – 7 sep 2017
No other technique provides the tools for both actor and director to communicate as clearly as does Michael Chekhov. Directing with the Michael Chekhov Technique is the first book to apply the insights of this celebrated technique to the realities of directing a theatrical production.
The book chronicles the journey of a play, from conception through production, through the eyes of the director. Drawn from the author's rehearsal journals, logs and notes from each performance, the reader is shown how to arrive at a concept, create a concept statement and manage the realization of the play, utilizing specific techniques from Michael Chekhov to solve problems of acting and design.
As with all books in the Theatre Arts Workbook series, Directing with the Michael Chekhov Technique will include online video exercises, "Teaching Tip" boxes which streamline the book for teachers, and a useful Further Reading section.
Directing with the Michael Chekhov Technique is the perfect guide to the production process for any director.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 203.71 lei 22-36 zile | +91.46 lei 6-12 zile |
| Bloomsbury Publishing – 7 sep 2017 | 203.71 lei 22-36 zile | +91.46 lei 6-12 zile |
| Hardback (1) | 613.24 lei 43-57 zile | |
| Bloomsbury Publishing – 7 sep 2017 | 613.24 lei 43-57 zile |
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Specificații
ISBN-13: 9781474284035
ISBN-10: 1474284035
Pagini: 288
Dimensiuni: 136 x 216 x 22 mm
Greutate: 0.38 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Arts Workbooks
Locul publicării:London, United Kingdom
ISBN-10: 1474284035
Pagini: 288
Dimensiuni: 136 x 216 x 22 mm
Greutate: 0.38 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Arts Workbooks
Locul publicării:London, United Kingdom
Cuprins
Introduction
Chapter One-Analysis and Composition of the Play
Chapter Two-Archetypes and Casting
Chapter Three-Creating the Ensemble-Establishing Atmosphere
Chapter Four-Revealing the Language of the Rehearsal Process
Chapter Five-Beginning Work on Scenes-Composition
Chapter Six-Work on Individual Speeches-Composition
Chapter Seven-Psychological Gesture as Action
Chapter Eight-Character Relationships
Chapter Nine-Chekhov and Musical Theatre/Opera
Chapter Ten-Tempo
Chapter Eleven-Characterization
Chapter Twelve-Middle to Final Rehearsals
Chapter Thirteen-Further Exercises for Teachers and Directors
Conclusion
Chapter One-Analysis and Composition of the Play
Chapter Two-Archetypes and Casting
Chapter Three-Creating the Ensemble-Establishing Atmosphere
Chapter Four-Revealing the Language of the Rehearsal Process
Chapter Five-Beginning Work on Scenes-Composition
Chapter Six-Work on Individual Speeches-Composition
Chapter Seven-Psychological Gesture as Action
Chapter Eight-Character Relationships
Chapter Nine-Chekhov and Musical Theatre/Opera
Chapter Ten-Tempo
Chapter Eleven-Characterization
Chapter Twelve-Middle to Final Rehearsals
Chapter Thirteen-Further Exercises for Teachers and Directors
Conclusion
Recenzii
Provides performers and directors with a practical set of exercises and also with a lexicon with which they can articulate their practice. This, in turn, supports a focused, structured and navigable pathway through a potentially difficult and precarious career ... if the Chekhov Technique appeals to you, [this] will quickly become dog-eared and tatty.