Dionysus’ Victim: The Pentheus Myth beyond Euripides: Mnemosyne, Supplements, cartea 499
Autor Bartłomiej Bednareken Limba Engleză Hardback – 13 noi 2025
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Specificații
ISBN-13: 9789004743861
ISBN-10: 9004743863
Pagini: 300
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.62 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
ISBN-10: 9004743863
Pagini: 300
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.62 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
Notă biografică
Bartłomiej Bednarek, Ph.D. (2015) is Assistant Professor at Charles University in Prague. He has published books and articles on Greek Religion, especially on Dionysus, including The Myth of Lycurgus in Aeschylus, Naevius, and Beyond (Brill 2021).
Cuprins
Acknowledgments
List of Figures
1 Introduction
1 Why Dionysus? Why Euripides’ Bacchae?
2 The Bacchae and the Aeneid: a case study of a skeleton in the closet
3 Conclusions: Why is this book necessary?
4 What this book is about
2 Pentheus before Euripides
1 Pentheus in the poetic tradition before Aeschylus
2 Pentheus in Aeschylus
3 The Pentheus myth in ‘minor tragedians’ ’ plays
4 Conclusions of the chapter
3 Iconography
1 Attic vases from 520/10–410BCE
2 Attic vases from the last decade of the fifth century BCE and related vessels
3 Images influenced by Euripides
4 What do we learn from Pentheus’ iconography?
5 Appendix: Dubious and false
4 Traces of non-Attic traditions
1 Theocritus’ Idyll 26
2 Ps.-Oppian’s Cynegetica 4.230–353
3 Golden silence of Philodamus of Scarphea
4 Conclusions
5 Appendix: Traces of Boeotian traditions
5 Pentheus’ myth in Roman poetry
1 Pentheus in Roman tragedies
2 The Roman Principate
3 Euripides’ tragedy of Agaue among Roman poets
4 Conclusions
6 The long shadow of Euripides
1 Reperformances and readership of Euripides’ Bacchae
2 Mythography
3 Nonnus, Dionysiaca 44–46
4 Strategies of appropriation: Christus patiens and its Christian predecessors
5 Conclusions of the chapter
7 What is Pentheus’ myth about?
1 Ino as an archetypal Bacchant
2 Ino among her sisters and other maenads
3 Sea sanctuary
4 Good maenads in the Bacchae
5 How the perspective shifts
Bibliography
Index
List of Figures
1 Introduction
1 Why Dionysus? Why Euripides’ Bacchae?
2 The Bacchae and the Aeneid: a case study of a skeleton in the closet
3 Conclusions: Why is this book necessary?
4 What this book is about
2 Pentheus before Euripides
1 Pentheus in the poetic tradition before Aeschylus
2 Pentheus in Aeschylus
3 The Pentheus myth in ‘minor tragedians’ ’ plays
4 Conclusions of the chapter
3 Iconography
1 Attic vases from 520/10–410BCE
2 Attic vases from the last decade of the fifth century BCE and related vessels
3 Images influenced by Euripides
4 What do we learn from Pentheus’ iconography?
5 Appendix: Dubious and false
4 Traces of non-Attic traditions
1 Theocritus’ Idyll 26
2 Ps.-Oppian’s Cynegetica 4.230–353
3 Golden silence of Philodamus of Scarphea
4 Conclusions
5 Appendix: Traces of Boeotian traditions
5 Pentheus’ myth in Roman poetry
1 Pentheus in Roman tragedies
2 The Roman Principate
3 Euripides’ tragedy of Agaue among Roman poets
4 Conclusions
6 The long shadow of Euripides
1 Reperformances and readership of Euripides’ Bacchae
2 Mythography
3 Nonnus, Dionysiaca 44–46
4 Strategies of appropriation: Christus patiens and its Christian predecessors
5 Conclusions of the chapter
7 What is Pentheus’ myth about?
1 Ino as an archetypal Bacchant
2 Ino among her sisters and other maenads
3 Sea sanctuary
4 Good maenads in the Bacchae
5 How the perspective shifts
Bibliography
Index