Diego Marcon
De (artist) Diego Marconen Limba Engleză Paperback – 5 aug 2026
Diego Marcon’s practice primarily focuses on moving image and centers on the investigation of cinematic archetypes through a process that combines theoretical and structural approaches to filmmaking, with the sentimental attitudes of popular movie genres. His works––spanning film, video, and installation––often utilize a looped structure to articulate an emotional display that flirts with the pathetic aspects of popular entertainment and simultaneously draws attention to the media itself. Throughout Marcon’s work, empathy and vulnerability are deployed with intentional ambiguity, such that the instrumental use of their forms and figures constitutes a blurred morality. This ambiguity is viewed by Marcon first and foremost as a political weapon of defiance.
This book is published in conjunction with the exhibition Prom, presented at Lafayette Anticipations (Paris) from April 1 to July 19, 2026, and Krapfen at the Renaissance Society of the University of Chicago from September 13 to November 23, 2025.
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Specificații
ISBN-13: 9780941548946
ISBN-10: 0941548945
Pagini: 424
Ilustrații: 362 color plates, 38 halftones
Dimensiuni: 305 x 216 mm
Greutate: 0.45 kg
Editura: Renaissance Society
Colecția Renaissance Society
ISBN-10: 0941548945
Pagini: 424
Ilustrații: 362 color plates, 38 halftones
Dimensiuni: 305 x 216 mm
Greutate: 0.45 kg
Editura: Renaissance Society
Colecția Renaissance Society
Notă biografică
Diego Marcon has exhibited internationally, and his films have been featured in film festivals including Cannes Film Festival’s Directors’ Fortnight; International Film Festival Rotterdam; Viennale, Vienna; Festival du nouveau cinéma, Montreal; and BFI London Film Festival, among others. Marcon currently lives and works in Italy.
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Published on the occasion of the exhibitions at Lafayette Anticipations and at The Renaissance Society, this book brings together a wide range of materials central to the practice of Diego Marcon. It combines four films presented with visual documents from their making: props, costumes, set fragments, preparatory drawings, working images, models, and technical plans. Usually kept behind the scenes, these elements reveal the meticulous precision with which Marcon constructs his worlds.
Conceived as an extension of the exhibitions, the publication operates as an archive, a working tool, and an autonomous object, offering insight into both the internal logic of Marcon’s practice and the material processes of his films.
Published on the occasion of the exhibitions at Lafayette Anticipations and at The Renaissance Society, this book brings together a wide range of materials central to the practice of Diego Marcon. It combines four films presented with visual documents from their making: props, costumes, set fragments, preparatory drawings, working images, models, and technical plans. Usually kept behind the scenes, these elements reveal the meticulous precision with which Marcon constructs his worlds.
Conceived as an extension of the exhibitions, the publication operates as an archive, a working tool, and an autonomous object, offering insight into both the internal logic of Marcon’s practice and the material processes of his films.