The first volume devoted to Derek Walcott's lifelong engagement with the visual arts Walcott's lifelong concern with painting and painters deeply inflected his aesthetics and politics. Walcott's interventions on the relationship between Caribbean and colonial history have been thoroughly scrutinised, but arguably he was also keen to address and (re)write an art history of which, paraphrasing a line from Omeros, the Caribbean 'too' was/is 'capable'. Contextualising and putting in conversation Walcott's published and unpublished writing, drawings and paintings with specific artists from the Caribbean, Europe, South and North America, Derek Walcott's Painters recalibrates and sharpens our understanding of Walcott's articulation of his own politics and poetics, and of the Caribbean's contributions to Atlantic and global culture. Maria Cristina Fumagalli is Professor in Literature at the University of Essex. Her publications include On the Edge: Writing the Border between Haiti and the Dominican Republic (2015; 2018), Caribbean Perspectives on Modernity: Returning Medusa's Gaze (2009) and The Flight of the Vernacular: Seamus Heaney, Derek Walcott and the Impress of Dante (2001).