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Deleuze on Cinema: Deleuze and the Arts

Autor Ronald Bogue
en Limba Engleză Paperback – 7 mar 2003
Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.
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Specificații

ISBN-13: 9780415966047
ISBN-10: 0415966043
Pagini: 242
Ilustrații: Illustrations
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.46 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Deleuze and the Arts

Locul publicării:Oxford, United Kingdom

Recenzii

"An extremely lucid and nearly seamless analysis of both of Deleuze's cinema books." -- Charles Stivale, Wayne State University
"After these books are published, there will be no need for anyone else to write a how-to-understand-Deleuze book. The clarity of the prose, the careful explanation of each difficult and important concept, and the lack of any jargon whatsoever make this the definitive commentary on Deleuze." -- Dorothea Olkowski, University of Colorado
"...the first and best exegesis in English of Cinema 1 and Cinema 2." -- Tom Conley, Harvard University

Cuprins

List of Abbreviations Introduction 1. Bergson and Cinema Deleuze's Bergson Three Bergsonian Theses on Movement Image, Movement, Matter, Light The Three Movement-Images 2. Frame, Shot and Montage Frame and Shot Montage: Organic and Dialectic Montage: Quantitative and Intensive 3. Eighteen Signs (More or Less) Pierce and Signs The Perception-Image The Affection-Image The Impulse-Image The Action-Image The Reflection-Image The Relation-Image 4. Hyalosigns: Crystals of Time Opsigns Mnemosigns and Onirosigns Hyalosigns Crystalline States 5. Chronosigns: The Order of Time and Time as Series Sheets of the Past, Peaks of the Present Robbe-Grillet, Welles and Resnais Powers of the False Rouch's Ethnofictions Bodies and Categories 6. Noosigns and Lectosigns: Images and Thought, Sight and Sound The Classic Image of Thought The Thought of the Outside The Spiritual Automaton Silent and Audible Lectosigns The Modern Lectosign A Note on Cinema, Theater and Television Conclusion Works Cited