Deleuze and Art: Bloomsbury Studies in Continental Philosophy
Autor Anne Sauvagnargues Traducere de Samantha Bankstonen Limba Engleză Hardback – 15 aug 2013
With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.
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Specificații
ISBN-13: 9781441173805
ISBN-10: 1441173803
Pagini: 240
Dimensiuni: 160 x 240 x 20 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Continental Philosophy
Locul publicării:London, United Kingdom
ISBN-10: 1441173803
Pagini: 240
Dimensiuni: 160 x 240 x 20 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Continental Philosophy
Locul publicării:London, United Kingdom
Cuprins
List of Abbreviations
1. Cartographies of Art: From Literature to the Image
2. Critical and Clinical
3. The Affect of Force
4. The Body without Organs
5. The Critique of Interpretation and the Machine
6. Minor Art
7. Rhizomes and Lines
8. The Violence of Sensation
9. Art and Immanence
10. Conclusions
Index
1. Cartographies of Art: From Literature to the Image
2. Critical and Clinical
3. The Affect of Force
4. The Body without Organs
5. The Critique of Interpretation and the Machine
6. Minor Art
7. Rhizomes and Lines
8. The Violence of Sensation
9. Art and Immanence
10. Conclusions
Index
Recenzii
Readers will be impressed with Sauvagnargues' masterful grasp of Deleuze's entire oeuvre, and admire her tightly argued claims about how his aesthetics is based in empirical experimentation with material and social effects and real consequences for processes of subjectivation.
It is not easy to write a sober book on Deleuze. Anne Sauvagnargues, however, has achieved this difficult task. Deleuze and Art is remarkably clear, concise, systematic, and insightful. But more than sober, and a reason for jubilation, Sauvagnargues' Deleuze and Art looks to be an original work of philosophy. The manner in which she maps out Deleuze's thought turns out to present a "semiotics of the image" that seems to open question well beyond the scope of Deleuze's own thinking. Echoing Deleuze himself, we must say that Sauvagnargues' Deleuze and Art "forces us to think."
Anne Sauvagnargues has written an incisive, clear and carefully considered introduction to Deleuze and Guattari's writings on literature and art that will no doubt become one of the authoritative texts to which readers turn for insight on their enigmatic concepts and their dynamic understanding of art. This book addresses all the key texts of Deleuze to show the nuances and developments in the concepts he, together with Guattari, invented to think art beyond the artist and as a part of the way that the world affects itself. An excellent book!
An original and profound book from a renowned French commentator on Gilles Deleuze! It is an essential reading for those seeking to understand the depth and complexity of Deleuze's philosophy, which Anne Sauvagnargues pursues by exploring the relationships between Deleuze's thought and art. The book shows that Deleuze's philosophy was fundamentally shaped by these relationships and that it cannot be understood, without being impoverished, if considered apart from them. An admirable achievement of thinking and scholarship, this book will remain indispensable for years to come.
Anne Sauvagnargues is well-known in France as one of Deleuze's most original and incisive interpreters, and Samantha Bankston's fluid and accurate translation has at last made this important book accessible to English speaking readers. Deleuze and Art not only provides a wide-ranging analysis of Deleuze's writings on aesthetics, but uses the domain of art as a point of access into his entire philosophical system. This is a landmark text destined to become a classic in the interpretation of Deleuze's work.
It is not easy to write a sober book on Deleuze. Anne Sauvagnargues, however, has achieved this difficult task. Deleuze and Art is remarkably clear, concise, systematic, and insightful. But more than sober, and a reason for jubilation, Sauvagnargues' Deleuze and Art looks to be an original work of philosophy. The manner in which she maps out Deleuze's thought turns out to present a "semiotics of the image" that seems to open question well beyond the scope of Deleuze's own thinking. Echoing Deleuze himself, we must say that Sauvagnargues' Deleuze and Art "forces us to think."
Anne Sauvagnargues has written an incisive, clear and carefully considered introduction to Deleuze and Guattari's writings on literature and art that will no doubt become one of the authoritative texts to which readers turn for insight on their enigmatic concepts and their dynamic understanding of art. This book addresses all the key texts of Deleuze to show the nuances and developments in the concepts he, together with Guattari, invented to think art beyond the artist and as a part of the way that the world affects itself. An excellent book!
An original and profound book from a renowned French commentator on Gilles Deleuze! It is an essential reading for those seeking to understand the depth and complexity of Deleuze's philosophy, which Anne Sauvagnargues pursues by exploring the relationships between Deleuze's thought and art. The book shows that Deleuze's philosophy was fundamentally shaped by these relationships and that it cannot be understood, without being impoverished, if considered apart from them. An admirable achievement of thinking and scholarship, this book will remain indispensable for years to come.
Anne Sauvagnargues is well-known in France as one of Deleuze's most original and incisive interpreters, and Samantha Bankston's fluid and accurate translation has at last made this important book accessible to English speaking readers. Deleuze and Art not only provides a wide-ranging analysis of Deleuze's writings on aesthetics, but uses the domain of art as a point of access into his entire philosophical system. This is a landmark text destined to become a classic in the interpretation of Deleuze's work.