Defiant Sounds: Heavy Metal Music in the Global South: Extreme Sounds Studies: Global Socio-Cultural Explorations
Editat de Nelson Varas-Díaz, Jeremy Wallach, Esther Clinton, Daniel Nevárez Araújo Contribuţii de Augustinus Aryo Lukisworo, Edward Banchs, Manuela Belén Calvo, Sage Bond, Pasqualina Eckerström, Kobi Farhi, Kevin Fellezs, Manuel Gagneux, Susana González-Martínez, Didier Goossens, Amine Hamma, Susane Hécate, Adil Johan, Mark LeVine, Tshomarelo "Vulture" Mosaka, Oki Rahadianto Sutopo, Paula Rowe, Anthony J. Thibodeau, Brian Trott, Azmyl Yusofen Limba Engleză Paperback – iul 2027
Defiant Sounds: Heavy Metal Music in the Global South brings together authors working from and/or with the Global South to reflect on the roles of metal music throughout their respective regions. The essays position metal music at the epicenter of region-specific experiences of oppression marked by colonialism, ethnic extermination, political persecution, and war. More importantly, the authors stress how metal music is used throughout the Global South to face these oppressive experiences, foster hope, and promote an agenda that seeks to build a better world.
Preț: 211.87 lei
Preț vechi: 281.92 lei
-25% Precomandă
Puncte Express: 318
Carte nepublicată încă
Livrare prin curier în România Precomanda se expediază când titlul devine disponibil.
Transport gratuit de la 400.00 lei Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Specificații
ISBN-13: 9781793651877
ISBN-10: 1793651876
Pagini: 432
Ilustrații: 21 b/w photos
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Lexington Books
Seria Extreme Sounds Studies: Global Socio-Cultural Explorations
Locul publicării:New York, United States
ISBN-10: 1793651876
Pagini: 432
Ilustrații: 21 b/w photos
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Lexington Books
Seria Extreme Sounds Studies: Global Socio-Cultural Explorations
Locul publicării:New York, United States
Cuprins
Introduction
Section I: Conceptualizing the Distorted South
1. Metal Music in the Distorted South (Nelson Varas-Díaz, Daniel Nevárez Araújo, Jeremy Wallach, and Esther Clinton)
Section II: Hope
2. An Exegesis of Excess (Susana González-Martínez)
3. Reclaiming Aotearoa (Didier Goossens)
4. "A Whole New Type of Isolation" (Anthony J. Thibodeau and Sage Bond)
Section III: Social Change
5. "We Play Heavy Metal Because Our Lives Are Heavy Metal" (Mark LeVine)
6. Youth Activism and Decolonial Metal (Paula Rowe)
7. Coloniality and Gender in the Argentinian Metal Scene (Manuela Belén Calvo)
Section IV: Dialogues
8. An Interview on Contar/Cantar Memórias da Resistência (Susane Hécate (Miasthenia) and Daniel Nevárez Araújo)
9. Misusing Things in Metal Music (Manuel Gagneux (Zeal & Ardor) and Daniel Nevárez Araújo)
10. The Alternative Side of the Frame (Kobi Farhi (Orphaned Land) and Nelson Varas-Díaz)
11. A Dialogue on Metal Festivals and Social Justice (Tshomarelo "Vulture" Mosaka (Overthrust) and Edward Banchs)
Section V: Diaspora
12. The Ultra-Violence (Kevin Fellezs)
13. "Somewhere They Belong" (Azmyl Yusof and Adil Johan)
Section VI: Transgression
14. Ancient, Evil, and African (Edward Banchs)
15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria (Pasqualina Eckerstro¨m)
Section VII: Resistance and Community
16. Decolonizing the Mind's Eye (Nelson Varas-Díaz and Daniel Nevárez Araújo)
17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene (Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo)
18: Satan Wasn't There (Amine Hamma and Brian Trott)
Epilogue
Index
About the Editors and Contributors
Section I: Conceptualizing the Distorted South
1. Metal Music in the Distorted South (Nelson Varas-Díaz, Daniel Nevárez Araújo, Jeremy Wallach, and Esther Clinton)
Section II: Hope
2. An Exegesis of Excess (Susana González-Martínez)
3. Reclaiming Aotearoa (Didier Goossens)
4. "A Whole New Type of Isolation" (Anthony J. Thibodeau and Sage Bond)
Section III: Social Change
5. "We Play Heavy Metal Because Our Lives Are Heavy Metal" (Mark LeVine)
6. Youth Activism and Decolonial Metal (Paula Rowe)
7. Coloniality and Gender in the Argentinian Metal Scene (Manuela Belén Calvo)
Section IV: Dialogues
8. An Interview on Contar/Cantar Memórias da Resistência (Susane Hécate (Miasthenia) and Daniel Nevárez Araújo)
9. Misusing Things in Metal Music (Manuel Gagneux (Zeal & Ardor) and Daniel Nevárez Araújo)
10. The Alternative Side of the Frame (Kobi Farhi (Orphaned Land) and Nelson Varas-Díaz)
11. A Dialogue on Metal Festivals and Social Justice (Tshomarelo "Vulture" Mosaka (Overthrust) and Edward Banchs)
Section V: Diaspora
12. The Ultra-Violence (Kevin Fellezs)
13. "Somewhere They Belong" (Azmyl Yusof and Adil Johan)
Section VI: Transgression
14. Ancient, Evil, and African (Edward Banchs)
15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria (Pasqualina Eckerstro¨m)
Section VII: Resistance and Community
16. Decolonizing the Mind's Eye (Nelson Varas-Díaz and Daniel Nevárez Araújo)
17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene (Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo)
18: Satan Wasn't There (Amine Hamma and Brian Trott)
Epilogue
Index
About the Editors and Contributors
Recenzii
Defiant Sounds: Heavy Metal Music in the Global South is an important book, both for metal scholarship (which is a large and expanding global community) and equally for understanding Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations in the current world. Metal was ahead of the curve in grasping the political and cultural changes in the region. The editors are esteemed scholars of metal and globalization.
This is an important book. It is not just about metal music; it gives voice to those often ignored by a Western myopic parochialism. It opens a greater transformative perspective on cultures and politics receiving the attention that is much deserved from a rising Global South. Much praise is due to this collection of essays for continuing to expand decolonial dialogue in transdisciplinary research.
Defiant Sounds constitutes a paradigmatic shift in metal music studies and is a vital model for future studies of globalized cultures. It is a must-read for activists and students of heavy metal, and for researchers in popular culture studies, anthropology, sociology, and ethnomusicology.
This is an important book. It is not just about metal music; it gives voice to those often ignored by a Western myopic parochialism. It opens a greater transformative perspective on cultures and politics receiving the attention that is much deserved from a rising Global South. Much praise is due to this collection of essays for continuing to expand decolonial dialogue in transdisciplinary research.
Defiant Sounds constitutes a paradigmatic shift in metal music studies and is a vital model for future studies of globalized cultures. It is a must-read for activists and students of heavy metal, and for researchers in popular culture studies, anthropology, sociology, and ethnomusicology.