Decolonizing Media Fandom: Disability, Race, and Marvel Superhero Fans: Fandom & Culture
Autor Divya Gargen Limba Engleză Paperback – 27 ian 2026 – vârsta ani
Decolonizing Media Fandom focuses on the globally diverse fan base of a massively popular Western text: the Marvel superhero universe. Drawing on fanworks from Archive of Our Own, a survey spanning sixteen countries, and one-on-one interviews with Marvel fans who identify as non-white and/or having a disability, Divya Garg examines the strengths and limitations of fandom from the perspective of those who are often relegated to the margins.
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Specificații
ISBN-13: 9781685970437
ISBN-10: 1685970435
Pagini: 246
Ilustrații: 1 b&w image, 1 b&w photo, 1 b&w figure
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.4 kg
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Fandom & Culture
ISBN-10: 1685970435
Pagini: 246
Ilustrații: 1 b&w image, 1 b&w photo, 1 b&w figure
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.4 kg
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Fandom & Culture
Recenzii
“Divya Garg’s Decolonizing Media Fandom is an indispensable contribution . . . it will be required reading for those interested in disability studies, fan/media studies, affect theory, and decolonial theory. She is particularly concerned with the ways in which racialized and disabled fans in global spaces participate in—and rewrite, revise, and expand—the Marvel superhero universe. This body of cultural production has never been approached from such an original intersectional perspective. This book will significantly change and move forward the conversations about the cultural work of the Marvel superhero universe globally.”—Robert McRuer, author, Crip Times: Disability, Globalization, and Resistance
“Disability has finally arrived as a central cross-cutting area of scholarship in humanities and social sciences . . . well-theorized, brilliantly written, with a strong, engaging, and persuasive authorial voice . . . a major influence on the area of fandom across media and culture forms.”—Gerard Goggin, Western Sydney University
“A real-world example of how there is no one ‘right’ way to represent disability, given the plenitude of possible interpretations of any text . . . this text makes every effort to appeal to broader audiences.”—Lori Kido Lopez, University of Wisconsin–Madison
“Disability has finally arrived as a central cross-cutting area of scholarship in humanities and social sciences . . . well-theorized, brilliantly written, with a strong, engaging, and persuasive authorial voice . . . a major influence on the area of fandom across media and culture forms.”—Gerard Goggin, Western Sydney University
“A real-world example of how there is no one ‘right’ way to represent disability, given the plenitude of possible interpretations of any text . . . this text makes every effort to appeal to broader audiences.”—Lori Kido Lopez, University of Wisconsin–Madison
Notă biografică
Divya Garg is a research fellow at the Centre for Culture and Technology in the School of Media, Creative Arts and Social Inquiry at Curtin University. Her work appears in Fame and Fandom: Functioning On and Offline (Iowa, 2022) and Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities (Iowa, 2019). She lives in Perth, Western Australia.