Decolonial Topophilia: Nature, Place, and History in Puerto Rican Poetry: Bucknell Studies in Latin American Literature and Theory
Autor Víctor Figueroaen Limba Engleză Hardback – 8 sep 2026 – vârsta ani
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Specificații
ISBN-13: 9781684486090
ISBN-10: 1684486092
Pagini: 254
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.48 kg
Editura: Bucknell University Press
Colecția Bucknell University Press
Seria Bucknell Studies in Latin American Literature and Theory
ISBN-10: 1684486092
Pagini: 254
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.48 kg
Editura: Bucknell University Press
Colecția Bucknell University Press
Seria Bucknell Studies in Latin American Literature and Theory
Notă biografică
VÍCTOR FIGUEROA is a professor of Spanish at Wayne State University in Detroit, Michigan. His publications include Not at Home in One’s Home: Caribbean Self-Fashioning in the Poetry of Luis Palés Matos, Aimé Césaire, and Derek Walcott and Prophetic Visions of the Past: Pan-Caribbean Representations of the Haitian Revolution, as well as three poetry collections and articles in scholarly journals.
Cuprins
Introduction 1
1. Luis Lloréns Torres: Precursor and Witness to Changes to Come 31
2. Colonial Commodity and Numinous Realm: Nature in Luis Palés Matos 68
3. Between Nature and History: Juan Antonio Corretjer’s Poetics of Reinhabitation 111
4. Writing the Naked Earth in the Poetry of Julia de Burgos 145
Conclusion 185
Acknowledgments 193
Notes 195
Bibliography 221
Index 235
1. Luis Lloréns Torres: Precursor and Witness to Changes to Come 31
2. Colonial Commodity and Numinous Realm: Nature in Luis Palés Matos 68
3. Between Nature and History: Juan Antonio Corretjer’s Poetics of Reinhabitation 111
4. Writing the Naked Earth in the Poetry of Julia de Burgos 145
Conclusion 185
Acknowledgments 193
Notes 195
Bibliography 221
Index 235
Recenzii
“In this consistently insightful, well-researched, and well-written study of four major Puerto Rican poets of the early twentieth century, Víctor Figueroa convincingly demonstrates in his words, ‘how a single island’s history and ultimate destiny is inextricably entangled with global histories and planetary hopes for liberation—a liberation that must . . . [include] the well-being of both human beings and their other-than-human places and companions.’ Such a study of Puerto Rico is long overdue for the insights the island’s literature can offer to the environmental humanities. Decolonial Topophilia is smart, clear, and important scholarship that advances our understanding of the complexities and risks of what it means to love a place even as it rightly insists on its indispensability for the future.”
“Decolonial Topophilia is a rich and timely intervention into the overlapping fields of Caribbean literary studies, environmental humanities, and decolonial thought. Víctor Figueroa offers a compelling account of how such Puerto Rican poets as Lloréns, De Burgos, Palés Matos, and Corretjer register—and contest—the transformation of land, labor, and life under colonial modernity. What emerges is a nuanced reading of nature not as scenery, but as a site where the violences of empire, the logics of capital, and the affective attachments to place converge. By placing these poets in dialogue with broader ecological and theoretical debates, Figueroa repositions Puerto Rican literature within urgent conversations about environmental crisis, colonialism, and the cultural meanings of place. This is a critical intervention that will resonate across disciplines.”
“Decolonial Topophilia is a rich and timely intervention into the overlapping fields of Caribbean literary studies, environmental humanities, and decolonial thought. Víctor Figueroa offers a compelling account of how such Puerto Rican poets as Lloréns, De Burgos, Palés Matos, and Corretjer register—and contest—the transformation of land, labor, and life under colonial modernity. What emerges is a nuanced reading of nature not as scenery, but as a site where the violences of empire, the logics of capital, and the affective attachments to place converge. By placing these poets in dialogue with broader ecological and theoretical debates, Figueroa repositions Puerto Rican literature within urgent conversations about environmental crisis, colonialism, and the cultural meanings of place. This is a critical intervention that will resonate across disciplines.”
Descriere
Decolonial Topophilia examines the work of four major Puerto Rican poets—Luis Lloréns Torres, Luis Palés Matos, Juan Antonio Corretjer, and Julia de Burgos—whose works address the impact of colonial domination on the island’s environment and its inhabitants (human and non-human) during the first half of the twentieth century.