David Katzenstein
Autor David Katzensteinen Limba Engleză Hardback – 25 sep 2026
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Specificații
ISBN-13: 9783777448749
ISBN-10: 3777448745
Pagini: 176
Ilustrații: 144 illustrations
Dimensiuni: 280 x 240 mm
Greutate: 1.33 kg
Editura: HIRMER VERLAG GMBH
ISBN-10: 3777448745
Pagini: 176
Ilustrații: 144 illustrations
Dimensiuni: 280 x 240 mm
Greutate: 1.33 kg
Editura: HIRMER VERLAG GMBH
Notă biografică
New York-based photographer David Katzenstein travels the world as a visual chronicler of humanity. Using subject, light, and composition to create visual dynamism, he invites viewers to share the moment with him. Katzenstein is the managing editor of the Barkley L. Hendricks Photography Archive. To date, he has published three monographs: Ritual (2022), Distant Journeys (2024), Brownie (2025) and Between one and another (2026).
Recenzii
"Brownie is an extraordinary book, not for what it says about place and not for what it says about technique. It is extraordinary because it brings back to life an interpretive aesthetic milieu."
"Katzenstein's approach was defined as much by patience as by spontaneity. He preferred to photograph after sunrise or before sunset, when the light softened edges and deepened tones. The square frame didn't impose humor but occasionally revealed it...""
“The photographs… are unconventionally framed and often out of focus in provocative ways. Nonetheless they create an extraordinarily rich and vivid picture of the world and, in the process, challenge our notions of what photography can be.”
“Resembling a pilgrimage, his camera work is almost a spiritual experience. Readers witness Katzenstein’s experience through his own eyes. A provocative, out-of-focus set of images characterizes his style throughout the book. The artist challenges clarity, masterfully proving it is not the only way to take pictures.”
"Brownie is a bible of analogue, not just because it was shot on film, additionally because curiosity triumphs over control and intuition over perfection. Katzenstein is an example that great photography ultimately is less about the camera than the person looking through it.”