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Dancing at Lughnasa de Brian Friel

Dancing at Lughnasa: Acting Edition S.

Autor Brian Friel
en Limba Engleză Paperback – 19 feb 2015
Premiered at Dublin's Abbey Theatre, this multi-award-winning play is about five impoverished spinster sisters in a remote part of County Donegal in 1936. With them live Michael, seven-year-old son of the youngest sister, and Jack, the sisters' elder brother, a missionary priest newly returned from Africa. The even's of that summer are narrated in recall by the adult Michael, unfolding a tender study of these women's lives.
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Paperback (2) 8043 lei  22-36 zile
  Faber and Faber – 20 mai 1990 8043 lei  22-36 zile
  SAMUEL FRENCH – 19 feb 2015 9688 lei  22-36 zile +586 lei  6-12 zile

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Specificații

ISBN-13: 9780573017421
ISBN-10: 0573017425
Pagini: 72
Ilustrații: black & white illustrations
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.14 kg
Editura: SAMUEL FRENCH
Seria Acting Edition S.

Locul publicării:United Kingdom

Textul de pe ultima copertă

It is 1936 and harvest time in County Donegal. In a house just outside of the village of Ballybeg live the five Mundy sister, barely making ends meet, their ages ranging from twenty-six to forty. Braian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are nonetheless a part.

Notă biografică

Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.

Recenzii

"There is no doubting we are in the thrall of as masterly a dramatist as the theatre possesses." --"The Times"