Crossmappings
Autor Elisabeth Bronfenen Limba Engleză Paperback – 15 ian 2000
The influential cultural critic Elisabeth Bronfen sets out in this book a conversation between literature, cinema, and visual culture. The crossmappings in and between these essays address the cultural survival of image formulas involving portraiture and the uncanny relation between the body and its representability, the gendering of war, death and the fragility of life, as well as sovereignty and political power.
Each chapter tracks transformations that occur as aesthetic figurations travel not only from one historical moment to the next, but also from one medium to another. Following Bronfen on these journeys into the cultural imaginary, the reader encounters prominent artists such as Edgar Degas, Francesca Woodman, Paul McCarthy, Eva Hesse, Louise Bourgeois, Richard Wagner, Pablo Picasso and William Shakespeare, alongside Classical Hollywood's film noir and melodrama, and the TV series The Wire and House of Cards.
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Specificații
ISBN-13: 9783858812407
ISBN-10: 3858812404
Pagini: 532
Ilustrații: 20 schwarz-weiße und 80 farbige Abbildungen
Dimensiuni: 155 x 231 x 36 mm
Greutate: 1 kg
Editura: Scheidegger and Spiess
Colecția Scheidegger and Spiess
ISBN-10: 3858812404
Pagini: 532
Ilustrații: 20 schwarz-weiße und 80 farbige Abbildungen
Dimensiuni: 155 x 231 x 36 mm
Greutate: 1 kg
Editura: Scheidegger and Spiess
Colecția Scheidegger and Spiess
Cuprins
Introduction. Crossmappings. Visual Readings as a Critical Intervention in the Cultural Imaginary
Part I. Travelling Image Formulas
Chapter 1. Facing Defacement. Degas' Portraits of Women
Chapter 2. Naked Touch. Disfiguration, Recognition and the Female Nude
Chapter 3. Leaving an Imprint. Francesca Woodman's Photographic tableaux vivants
Chapter 4. Pop Cinema. Hollywood's Critical Engagement with America's Culture of Consumption
Chapter 5. Hitler Goes Pop. Totalitarianism, Avant-Garde Aesthetics and Hollywood Entertainment
Chapter 6. Simulations of the Real. Paul McCarthy's Performance Disasters
Chapter 7. Wagner's Isolde in Hollywood
Chapter 8. Shakespeare's Wire
Chapter 9. Queen of Chess. On Serial Reading
Part II: Gendering the Uncanny, Imaging Death
Chapter 10. The Horror of the Familiar. Freud's Thoughts on Femininity and the Uncanny
Chapter 11. Gendering Curiosity. The Double Games of Siri Hustvedt, Paul Auster and Sophie Calle
Chapter 12. The Other Self of the Imagination: Cindy Sherman's Hysterical Performance
Chapter 13. Eva Hesse's Spectral Bride and her Uncanny Double
Chapter 14. Wounds of Wonder. Diane Arbus, Nan Goldin, Nabuyoshi Araki
Chapter 15. The Fragility of the Quotidien. Eija-Liisa Ahtila's Work with Death
Chapter 16. Picasso's War Women
Chapter 17. Contending with the Father. Louise Bourgeois and her Aesthetics of Reparation
Notes
Index
Part I. Travelling Image Formulas
Chapter 1. Facing Defacement. Degas' Portraits of Women
Chapter 2. Naked Touch. Disfiguration, Recognition and the Female Nude
Chapter 3. Leaving an Imprint. Francesca Woodman's Photographic tableaux vivants
Chapter 4. Pop Cinema. Hollywood's Critical Engagement with America's Culture of Consumption
Chapter 5. Hitler Goes Pop. Totalitarianism, Avant-Garde Aesthetics and Hollywood Entertainment
Chapter 6. Simulations of the Real. Paul McCarthy's Performance Disasters
Chapter 7. Wagner's Isolde in Hollywood
Chapter 8. Shakespeare's Wire
Chapter 9. Queen of Chess. On Serial Reading
Part II: Gendering the Uncanny, Imaging Death
Chapter 10. The Horror of the Familiar. Freud's Thoughts on Femininity and the Uncanny
Chapter 11. Gendering Curiosity. The Double Games of Siri Hustvedt, Paul Auster and Sophie Calle
Chapter 12. The Other Self of the Imagination: Cindy Sherman's Hysterical Performance
Chapter 13. Eva Hesse's Spectral Bride and her Uncanny Double
Chapter 14. Wounds of Wonder. Diane Arbus, Nan Goldin, Nabuyoshi Araki
Chapter 15. The Fragility of the Quotidien. Eija-Liisa Ahtila's Work with Death
Chapter 16. Picasso's War Women
Chapter 17. Contending with the Father. Louise Bourgeois and her Aesthetics of Reparation
Notes
Index
Recenzii
Brilliant essays on the female nude, on images not just of chess games but of chess queens in recent film and television ... full of marvelous and disturbing ideas ... Summing Up: Recommended.
This is a very important, relevant book for today's world. Bronfen is one of the very rare scholars who, in accessible prose, offers in-depth analyses of the interactions between "high" art and "popular" visual culture, focusing on the socio-political relevance of that crossover. Analysing literature, cinema, television series and other works of popular fiction, from present to past and back, Bronfen is a brilliant "image-thinker", and so makes a strong case for the urgent necessity of the Humanities in today's world.
This is a very important, relevant book for today's world. Bronfen is one of the very rare scholars who, in accessible prose, offers in-depth analyses of the interactions between "high" art and "popular" visual culture, focusing on the socio-political relevance of that crossover. Analysing literature, cinema, television series and other works of popular fiction, from present to past and back, Bronfen is a brilliant "image-thinker", and so makes a strong case for the urgent necessity of the Humanities in today's world.