Critical Semiotics: Theory, from Information to Affect: Bloomsbury Advances in Semiotics
Autor Gary Genoskoen Limba Engleză Paperback – 22 sep 2016
Linguistics and semiotics have been accused of being adrift from the affective turn and not accounting for these visceral forces beneath or generally other from conscious knowing. In this book, Gary Genosko delivers a detailed refutation, with analyses of specific contributions to critical semiotic approaches to meaning and signification. People want to understand how other people are moved and to understand embodied social actions, feelings and passions at the same time as understanding how this takes place. Semiotics must make the affective turn.
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Specificații
ISBN-13: 9781472596369
ISBN-10: 1472596366
Pagini: 200
Dimensiuni: 152 x 232 x 6 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Advances in Semiotics
Locul publicării:London, United Kingdom
ISBN-10: 1472596366
Pagini: 200
Dimensiuni: 152 x 232 x 6 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Advances in Semiotics
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. From Information Theory to A-Signifying Semiotics
2. Anti-Semiology
3. Damaged Signs and Floating Signifiers
4. Semiotics of the Info-commodity
5. Obstacle-Signs
6. Tensor Signs
7. Affect and Semiosis
Conclusion
References
Index
1. From Information Theory to A-Signifying Semiotics
2. Anti-Semiology
3. Damaged Signs and Floating Signifiers
4. Semiotics of the Info-commodity
5. Obstacle-Signs
6. Tensor Signs
7. Affect and Semiosis
Conclusion
References
Index
Recenzii
This important contribution to the history of critical theory establishes crucial connections among information theory, semiotics, Marxist critique, and affect theory. By confronting obstacles to signification such as libidinal economies and commodification, Genosko provides a much-needed rereading of theories of signification, demonstrating that semiotics still matters in the age of big data, global consumerism, and visual media.
Just like Zizek in his critique of the Warchowski's Matrix, Genosko in his Critical Semiotics rejects the false choice between the material blue pill and the semiotic red pill. However, he does not opt for a third pill, especially not the dialectical purple one. Following Guattari and a number of his sometimes delightfully unlikely bedfellows, Genosko reiterates the call for semiotic disobedience. Most crucially, the plea is not predicated on the facile rejection of the discursive in favour of the pathic. Rather, Genosko's intricate mapping of the interface between expression and content remains necessarily contingent. Hence semiosis as a critique, a must-read for those living under the regime of semiocapitalism.
In his characteristic rigour, precision and scholarly attention to texts, Genosko offers up a wide ranging and compelling history and theory of semiotics as both critical and creative practice. With tour de force readings of key post-structualist thinkers and its own original insights and contemporary case studies, this book effectively re-writes sign and affect theory. A must for all those working at the leading edge of the theoretical humanities.
Just like Zizek in his critique of the Warchowski's Matrix, Genosko in his Critical Semiotics rejects the false choice between the material blue pill and the semiotic red pill. However, he does not opt for a third pill, especially not the dialectical purple one. Following Guattari and a number of his sometimes delightfully unlikely bedfellows, Genosko reiterates the call for semiotic disobedience. Most crucially, the plea is not predicated on the facile rejection of the discursive in favour of the pathic. Rather, Genosko's intricate mapping of the interface between expression and content remains necessarily contingent. Hence semiosis as a critique, a must-read for those living under the regime of semiocapitalism.
In his characteristic rigour, precision and scholarly attention to texts, Genosko offers up a wide ranging and compelling history and theory of semiotics as both critical and creative practice. With tour de force readings of key post-structualist thinkers and its own original insights and contemporary case studies, this book effectively re-writes sign and affect theory. A must for all those working at the leading edge of the theoretical humanities.