Creative Labour: Working in the Creative Industries: Critical Perspectives on Work and Employment
Autor Alan McKinlay, Chris Smithen Limba Engleză Paperback – 29 ian 2009
In the UK alone, more than 1 million people work in the creative industries, generating billions of pounds in exports each year. These workers have to contend with elastic working hours, employment and promotion uncertainty and vigorous competition for each role. Creative Labour offers a contemporary perspective on a fascinating area of study and a rapidly growing area in developed economies.
Key benefits:
- Grasp the realities of work behind the industry façade
- Evaluate real-life case-studies through a flexible, critical mindset
- Tailor your management decisions to the needs of creative staff
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Specificații
ISBN-13: 9780230222007
ISBN-10: 0230222005
Pagini: 288
Ilustrații: 10
Dimensiuni: 152 x 232 x 20 mm
Greutate: 0.42 kg
Ediția:2009
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Critical Perspectives on Work and Employment
Locul publicării:London, United Kingdom
ISBN-10: 0230222005
Pagini: 288
Ilustrații: 10
Dimensiuni: 152 x 232 x 20 mm
Greutate: 0.42 kg
Ediția:2009
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Critical Perspectives on Work and Employment
Locul publicării:London, United Kingdom
Cuprins
PART I: THEORY AND OVERVIEW
Introduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlay
Creative Labour: Contract, Content and Control; C.Smith& A.McKinlay
From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.Warhurst
Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson
PART II: CREATIVE LABOUR AND PRACTICE
Film, Theatre and Television
Still a 'Perfect World for Capital'? K.Randle& N.Culkin
I Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.Stoyanova
Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.Eikhof
Making 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.Quinn
PART III: NEW MEDIA
Situating New Media Production: San Francisco, 1995-2000; A.Pratt
Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.Wolf
The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.
Introduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlay
Creative Labour: Contract, Content and Control; C.Smith& A.McKinlay
From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.Warhurst
Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson
PART II: CREATIVE LABOUR AND PRACTICE
Film, Theatre and Television
Still a 'Perfect World for Capital'? K.Randle& N.Culkin
I Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.Stoyanova
Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.Eikhof
Making 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.Quinn
PART III: NEW MEDIA
Situating New Media Production: San Francisco, 1995-2000; A.Pratt
Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.Wolf
The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.