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Corregidora

Autor Gayl Jones
en Limba Engleză Paperback – 29 ian 2019
One of The New Yorker's "The Best Books We Read in 2020" picks "Jones's great achievement is to reckon with both history and interiority, and to collapse the boundary between them."--Anna Wiener, The New Yorker The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery. A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones's powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Brazilian slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present. Selected, edited, and first edited by Toni Morrison, it is "the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women," (James Baldwin) and "a tale as American as Mount Rushmore and as murky as the Florida swamps." (Maya Angelou).
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Specificații

ISBN-13: 9780807061091
ISBN-10: 0807061093
Pagini: 184
Dimensiuni: 142 x 213 x 17 mm
Greutate: 0.25 kg
Editura: Beacon Press

Descriere

Descriere de la o altă ediție sau format:
No novel about any Black woman could ever be the same after this' TONI MORRISON

I dreamed with my eyes open. All the Corregidora women with narrow waists and high cheekbones and wide hips. All the Corregidora women dancing.


Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to this legacy of abuse, Ursa must confront her family history after a fight with her husband leaves her unable to have children. Haunted by the ghosts of a Brazilian plantation, pained by the fractured relationships of her present, she slowly and firmly strikes her own terms with womanhood.

Upon publication in 1975, Corregidora was hailed as a masterpiece, winning acclaim from writers including James Baldwin, Maya Angelou, Toni Morrison and John Updike. Exploring themes such as race, sexuality and the long repercussions of slavery, this powerful novel paved the way for Beloved and The Colour Purple.

'Corregidora
is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN

'A literary giant, and one of my absolute favourite writers' TAYARI JONES


'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE, NEW YORKER


Recenzii

Gayl Jones's first novel, Corregidora (1975), was both shocking and ground-breaking in its probing of the psychological legacy of slavery and sexual ownership through the life of a Kentucky blues singer . . . it predated Alice Walker's The Color Purple and Toni Morrison's Beloved, revealing an unfinished emancipation and the power of historical memory to shape lives. It also marked a shift in African-American literature that made women, and relationships between black people, central
An American writer with a powerful sense of vital inheritance, of history in the blood
No novel about any black woman could ever be the same after this
She writes beautifully, painfully, furiously and righteously about violence and desire
A literary giant, and one of my absolute favourite writers
Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women . . . it dares to confront the absolute terror which lives at the heart of love
Corregidora's survey of trauma and overcoming has become even better and more relevant with the passage of time. It remains an indispensable point of entry into the tradition of African American writing that Gayl Jones reshaped and enriched
Corregidora examines how the trauma of slavery is imprinted on the black female body and passed down from generation to generation. Gayl Jones's work remains essential and vital; I will be rereading her catalog for the rest of my life
A breathtaking novel that stands as one of the most important twentieth century works of African American literature. Jones captures the web of inheritances that shaped the lives of Black women in slavery and freedom, from trauma to resilience, and from flesh to spirit. Corregidora is deeply affecting and endures in the hearts and minds of readers
The book is plotted like a beautiful, tear-filled song
I dreamed with my eyes open. All the Corregidora women with narrow waists and high cheekbones and wide hips. All the Corregidora woman dancing.

Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to this legacy of abuse, Ursa must confront her family history after a fight with her husband leaves her unable to have children. Haunted by the ghosts of a Brazilian plantation, pained by the fractured relationships of her present, she slowly and firmly strikes her own terms with womanhood.


No novel about any Black woman could ever be the same after this' TONI MORRISON


'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN


'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE, NEW YORKER