The Private Museum of Contemporary Art: Cultural Capital and the Reshaping of Heritage
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Contextualizing Art Markets
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Corporate Patronage of Art and Architecture in the United States, Late 19th Century to the Present
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Women, Art and Money in Late Victorian and Edwardian England: The Hustle and the Scramble
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Théodore Rousseau and the Rise of the Modern Art Market: An Avant-Garde Landscape Painter in Nineteenth-Century France
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Old Masters Worldwide: Markets, Movements and Museums, 1789–1939
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Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950
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Women, Art and Money in England, 1880-1914
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Ellen Emmet Rand: Gender, Art, and Business
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Art Markets, Agents and Collectors: Collecting Strategies in Europe and the United States, 1550-1950
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30 iun 2022
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The Valentine Gallery: The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926–1947)
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Ethnographic Collecting and African Agency in Early Colonial West Africa: A Study of Trans-Imperial Cultural Flows
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3 iun 2021
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Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914
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2 iun 2022
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Women Art Dealers: Creating Markets for Modern Art, 1940–1990
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The Social World of Galleries: Contemporary Art, the Market and Internationalization
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Lillie P. Bliss: Collector, Advocate, and Visionary Benefactor of the Museum of Modern Art
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The Art Market and the Museum: Institutional Collecting, Display and Patronage since the Mid-Nineteenth Century
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Jewish Dealers and the European Art Market, c. 1860–1940: Negotiating Cultural Modernity
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The New York Market for French Art in the Gilded Age, 1867–1893
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