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Concentrationary Cinema

Editat de Griselda Pollock, Max Silverman
en Limba Engleză Hardback – 31 dec 2011
Since its release in 1955, Alain Resnais's Night and Fog has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political response.
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Specificații

ISBN-13: 9780857453518
ISBN-10: 0857453513
Pagini: 358
Dimensiuni: 159 x 24 x 237 mm
Greutate: 0.61 kg
Editura: BERGHAHN BOOKS INC

Notă biografică

Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. From 2004 - 7 she directed a research project on Holocaust Survivors and Migratory Subjectivity. She works on difference, trauma and aesthetics in relation to art, cinema and visual culture in the 20th century. Forthcoming is After-Affect/After- Image: Trauma and Aesthetic Inscription in the Virtual Feminist Museum (Manchester University Press, 2012). Max Silverman is Professor of Modern French Studies at the University of Leeds. He has written on cultural memory, representations of the Holocaust, post-colonial theory and cultures, and immigration, race and nation in France. He has recently published a book on the connections between the Holocaust and colonialism in the French and Francophone cultural imaginary entitled Palimpsestic Memory: The Holocaust and Colonialism in French and Francophone Fiction and Film (Berghahn, 2013).