Comics and the Body: Drawing, Reading, and Vulnerability: Studies in Comics and Cartoons
Autor Eszter Szépen Limba Engleză Hardback – 9 dec 2020
Eszter Szép’s Comics and the Body is the first book to examine the roles of the body in both drawing and reading comics within a single framework. With an explicit emphasis on the ethical dimensions of bodily vulnerability, Szép takes her place at the forefront of scholars examining comics as embodied experiences, pushing this line of inquiry into bold new territory. Focusing on graphic autobiography and reportage, she argues that the bodily performances of creators and readers produce a dialogue that requires both parties to experience and engage with vulnerability, thus presenting a crucial opportunity for ethical encounters between artist and reader. Szép considers visceral representations of bulimia, pregnancy, the effects of STIs, the catastrophic injuries of war, and more in the works of Lynda Barry, Ken Dahl, Katie Green, Miriam Katin, and Joe Sacco. She thus extends comics theory into ethical and psychological territory that finds powerful intersections and resonances with the studies of affect, trauma, gender, and reader response.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 316.07 lei 38-44 zile | |
| Ohio State University Press – 9 dec 2020 | 316.07 lei 38-44 zile | |
| Hardback (1) | 891.57 lei 38-44 zile | |
| Ohio State University Press – 9 dec 2020 | 891.57 lei 38-44 zile |
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Specificații
ISBN-13: 9780814214541
ISBN-10: 0814214541
Pagini: 220
Ilustrații: 29
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.43 kg
Ediția:1
Editura: Ohio State University Press
Colecția Ohio State University Press
Seria Studies in Comics and Cartoons
ISBN-10: 0814214541
Pagini: 220
Ilustrații: 29
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.43 kg
Ediția:1
Editura: Ohio State University Press
Colecția Ohio State University Press
Seria Studies in Comics and Cartoons
Recenzii
“A deft and thought-provoking contribution to the theoretical literatures on comics, mediated trauma, and embodied communication.” —CHOICE
“Ambitious, provocative, and ground-breaking … Comics and the Body achieves a great deal in addressing some of the gaps left in comics theory … I suspect that its implications will be felt and enacted through embodied reading and drawing, as well as by those that try to understand the relationship between such bodies, for a long time to come.” —Gareth Brookes, ImageTexT
“The exuberance of the prose and lovely phrasing beautifully offset the topic, which is exceptionally well-researched as well as being very clearly elaborated. The book was a pleasure to read and has the potential to reshape scholarly engagements with the material and affective dimensions of comics reading processes.” —Kate Polak, author of Ethics in the Gutter: Empathy and Historical Fiction in Comics
“Eszter Szép’s book provides an analysis of the body that is currently undiscussed in the field, not only filling a gap in existing scholarship but also developing a new lens for analysis that highlights the potential for further research and study.” —Harriet Earle
“Ambitious, provocative, and ground-breaking … Comics and the Body achieves a great deal in addressing some of the gaps left in comics theory … I suspect that its implications will be felt and enacted through embodied reading and drawing, as well as by those that try to understand the relationship between such bodies, for a long time to come.” —Gareth Brookes, ImageTexT
“The exuberance of the prose and lovely phrasing beautifully offset the topic, which is exceptionally well-researched as well as being very clearly elaborated. The book was a pleasure to read and has the potential to reshape scholarly engagements with the material and affective dimensions of comics reading processes.” —Kate Polak, author of Ethics in the Gutter: Empathy and Historical Fiction in Comics
“Eszter Szép’s book provides an analysis of the body that is currently undiscussed in the field, not only filling a gap in existing scholarship but also developing a new lens for analysis that highlights the potential for further research and study.” —Harriet Earle
Notă biografică
Eszter Szép is a module leader and mentor at Milestone Institute, Budapest.
Cuprins
Contents Acknowledgments List of Illustrations Introduction Embodiment, Vulnerability, and Comics as Dialog 1 The Authentic Line 2 Cartoon Bodies and Transformative Lines 3 Style as Engagement 4 Reading and the Body 5 Embodied Interaction Conclusion “Lining Things Up”: A Comic by the Author Works Cited Index
Descriere
Examines the role of the body in drawing and reading comics within a single framework.