"Cinematic Journeys" explores the interconnected histories, theories, and aesthetics of mobile vision and cinematic movement, investigating how movements of exploration, discovery, and revelation are activated within narratives of travel and displacement. Case studies focus on the films of Jules Dassin, tracing thematic and aesthetic trends to his status as an exilic director; on films as traveling commodities, such as the popularity of 1950s and 1960s Indian films in Greece; and on the category of the foreign spectator. The volume links specific types of movement to Western sensibilities and analyzes movement and emotive registers in marginalized films, including "Sunrise," "Death in Venice," "The Motorcycle Diaries," "Jap?n," "Blackboards," and "Ulysses' Gaze."