Choruses, Ancient and Modern
Editat de Joshua Billings, Felix Budelmann, Fiona Macintoshen Limba Engleză Hardback – 19 sep 2013
Preț: 856.83 lei
Preț vechi: 1241.81 lei
-31%
Puncte Express: 1285
Carte tipărită la comandă
Livrare economică 08-13 octombrie
Livrare prin curier în România Termenul estimat este afișat lângă disponibilitate.
Transport gratuit pentru acest produs Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.
Specificații
ISBN-13: 9780199670574
ISBN-10: 0199670579
Pagini: 440
Ilustrații: 20 in-text black and white illustrations
Dimensiuni: 162 x 237 x 33 mm
Greutate: 0.79 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0199670579
Pagini: 440
Ilustrații: 20 in-text black and white illustrations
Dimensiuni: 162 x 237 x 33 mm
Greutate: 0.79 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
The general quality of writing, much of it by outstanding younger scholars, is consistently high ... editors have done sterling work
Notă biografică
Joshua Billings is Assistant Professor of Classics and Humanities at Yale University. His research focuses on tragedy, intellectual history, and the classical tradition.Felix Budelmann is Lecturer in Greek Language and Literature at the University of Oxford. He works on Greek literature, especially lyric and tragedy.Fiona Macintosh is Director of the APGRD, Reader in Greek and Roman Drama, University Lecturer in the Reception of Greek and Roman Literature, and a Fellow of St Hilda's College, Oxford. She is author and editor of numerous books on the reception of Greek drama.
Cuprins
- List of Contributors
- List of Illustrations
- Note on Nomenclature, spelling and texts
- Introduction: Choral Fantasies
- Scholarship
- 1: Anastasia-Erasmia Peponi: Theorising the Chorus in Greece
- 2: Simon Goldhill: The Greek Chorus: Our German Eyes
- 3: Constanze Güthenke: The Middle Voice: German Classical Scholarship and the Greek Tragic Chorus
- 4: Ian Rutherford: Chorus, Song, and Anthropology
- Aesthetics
- 5: Felix Budelmann: Greek Festival Choruses in and out of Context
- 6: Helen Slaney: Seneca's Chorus of One
- 7: Roger Savage: Something like the Choruses of the Ancients: the Coro Stabile and the Chorus in European Opera, 1598-1782
- 8: Joshua Billings: An Alien Body? Choral Autonomy around 1800
- 9: Martin Revermann: Brechtian Chorality
- Shadows
- 10: Sheila Murnaghan: The Nostalgia of the Male Tragic Chorus
- 11: Christian Biet: A Senecan Theatre of Cruelty: Audience, Citizens, and Chorus in Late-Sixteenth and Early-Seventeenth-Century French Dramas
- 12: Cécile Dudouyt: Phantom Chorus: Missing Chorality on the French Eighteenth-Century Stage
- 13: Laurence Dreyfus: Sunk in the Mystic Abyss: The Choral Orchestra in Wagner's Music Dramas
- 14: Zachary Dunbar: How do you solve a problem like the chorus? Hammerstein s Allegro and the Reception of the Greek Chorus on Broadway
- Company
- 15: Richard Seaford: The Politics of the Mystic Chorus
- 16: Edith Hall: Mob, Cabal, or Utopian Commune? The Political Contestation of the Ancient Chorus 1789-1917
- 17: Fiona Macintosh: Choruses, Community, and the Corps de Ballet
- 18: Eleftheria Ioannidou: Chorus and the Vaterland: Greek Tragedy and the Ideology of Choral Performance in Inter-War Germany
- 19: Erika Fischer-Lichte: Revivals of Choric Theatre as Utopian Visions
- 20: Helen Eastman: Chorus in Contemporary British Theatre
- Bibliography
- Index