'Celluloid Singapore explores Singapore's preoccupation with nationhood, historicity and the performance of both in and through cinema, taking the nation-state up to its screen culture present. It provides a great deal more than overview or a history of Singaporean cinema. Instead it offers a theoretically informed exploration of cinema as a site for conflicting representations of and by Singapore on the local, regional and global stage, thus revealing this most astonishing phenomena in the historical complexity it so richly deserves. Edna Lim's book speaks to those interested in Southeast Asian studies, postcolonial studies and aesthetics as well as cinema studies. It is a rare and welcome addition.' Ryan Bishop, University of Southampton This is a ground-breaking study of the three major periods in Singapore's fragmented cinema history - the golden age of the 1950s and 60s, the post-studio 1970s and the revival from the 1990s onwards. Set against the context of Singapore's own trajectory of development, the book poses two central questions: how can the films of each period be considered 'Singapore' films, and how is this cinema specifically national? Author Edna Lim argues that the films of these three periods collectively constitute a national cinema through different performances of Singapore, offering a critical framework for understanding this cinema and its history in relation to the development of the country and the national. Edna Lim is a Senior Lecturer with the Department of English Language and Literature at the National University of Singapore. Cover image: The Singapura. Photograph reproduced with the kind permission of Zhao Wei Films Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-0288-0 Barcode