Brill’s Companion to the Reception of Homer from Byzantium to the Enlightenment: Brill's Companions to Classical Reception, cartea 29
Christina-Panagiota Manolea, François Renauden Limba Engleză Hardback – 18 dec 2025
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Specificații
ISBN-13: 9789004749085
ISBN-10: 900474908X
Pagini: 468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill's Companions to Classical Reception
ISBN-10: 900474908X
Pagini: 468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill's Companions to Classical Reception
Notă biografică
Christina-Panagiota Manolea, PhD (2002), Classics, University College London, is Assistant Professor at the Hellenic Army Academy. She has published on the reception of the ancient Greek literary tradition (especially Homer), including the edition of Brill’s Companion to the Reception of Homer from the Hellenistic Age to Late Antiquity (Brill, 2022).
François Renaud, PhD, University of Tübingen, is Professor of Philosophy at the Université de Moncton, Canada. He has published in ancient ethics, rhetoric, and poetics, as well as modern hermeneutics and reception studies, including the co-edition of Reassessing Homer in the Platonic Tradition (de Gruyter, 2025).
Contributors are: Delphine Lauritzen, Floris Bernard, Baukje van den Berg, Valeria Flavia Lovato, Matteo Venier, Valentina Prosperi, Silvia Montiglio, Christiane Deloince-Louette, Andrea Catanzaro, Alexander U. Bertland, Pat Rogers, Ralph McLean, Fabienne Moore, Christina-Panagiota Manolea, François Renaud, Vincenzo Farinella, Wendy Heller, Holger Schmid.
François Renaud, PhD, University of Tübingen, is Professor of Philosophy at the Université de Moncton, Canada. He has published in ancient ethics, rhetoric, and poetics, as well as modern hermeneutics and reception studies, including the co-edition of Reassessing Homer in the Platonic Tradition (de Gruyter, 2025).
Contributors are: Delphine Lauritzen, Floris Bernard, Baukje van den Berg, Valeria Flavia Lovato, Matteo Venier, Valentina Prosperi, Silvia Montiglio, Christiane Deloince-Louette, Andrea Catanzaro, Alexander U. Bertland, Pat Rogers, Ralph McLean, Fabienne Moore, Christina-Panagiota Manolea, François Renaud, Vincenzo Farinella, Wendy Heller, Holger Schmid.
Cuprins
List of Figures
Notes on Contributors
Introduction
Christina-Panagiota Manolea and François Renaud
Part 1 Byzantium
1 Homer in the School of Gaza (Fifth to Sixth c.)
Delphine Lauritzen
2 Homer as a Tool for Creative Writing in the Works of Michael Psellos
Floris Bernard
3 Eustathios’ Homeric Commentaries and Byzantine Textual Culture
Baukje van den Berg
4 John Tzetzes’ Reception of Homer: A Love–Hate Relationship?
Valeria Flavia Lovato
Part 2 The Renaissance
5 Leonardo Bruni’s Translation of the Speeches in Iliad 9
Matteo Venier
6 The Blurred Face of a Distant Beloved: Translations of Homer in Italy from Dante to the Sixteenth Century
Valentina Prosperi
7 The True Face of Penelope: Jean Dorat on Odysseus’ NostosSilvia Montiglio
8 Scaliger versus Homer (1561–1714)
Christiane Deloince-Louette (translated by Dylan Vaughan)
9 Thomas Hobbes’s Translations of The Homeric Poems: Writing about Politics through the Iliad and the Odyssey?
Andrea Catanzaro
Part 3 The Enlightenment
10 The “Discovery of the True Homer”: Giambattista Vico and His Contemporaries
Alexander U. Bertland
11 Alexander Pope’s Homer in Its Social and Political Context
Pat Rogers
12 Homer in the Scottish Enlightenment
Ralph McLean
13 The Reception of Homer in the French Enlightenment
Fabienne Moore
14 Eugenios Voulgaris on Homeric Scholarship and the History of Corfu
Christina-Panagiota Manolea
15 Homer in Germany Around 1800: F. A. Wolf’s Prolegomena and Its Immediate Impact
François Renaud
Part 4 Fine Arts—Music
16 Picturing Homer from the Fifteenth Century Onwards
Vincenzo Farinella (translated by Michael McOsker)
17 Costanza e Astuzia: Penelope’s Progress on the Venetian Operatic Stage (1640–1725)
Wendy Heller
18 Homer Through Winckelmann: Education in Receptivity
Holger Schmid
General Index
Notes on Contributors
Introduction
Christina-Panagiota Manolea and François Renaud
Part 1 Byzantium
1 Homer in the School of Gaza (Fifth to Sixth c.)
Delphine Lauritzen
2 Homer as a Tool for Creative Writing in the Works of Michael Psellos
Floris Bernard
3 Eustathios’ Homeric Commentaries and Byzantine Textual Culture
Baukje van den Berg
4 John Tzetzes’ Reception of Homer: A Love–Hate Relationship?
Valeria Flavia Lovato
Part 2 The Renaissance
5 Leonardo Bruni’s Translation of the Speeches in Iliad 9
Matteo Venier
6 The Blurred Face of a Distant Beloved: Translations of Homer in Italy from Dante to the Sixteenth Century
Valentina Prosperi
7 The True Face of Penelope: Jean Dorat on Odysseus’ NostosSilvia Montiglio
8 Scaliger versus Homer (1561–1714)
Christiane Deloince-Louette (translated by Dylan Vaughan)
9 Thomas Hobbes’s Translations of The Homeric Poems: Writing about Politics through the Iliad and the Odyssey?
Andrea Catanzaro
Part 3 The Enlightenment
10 The “Discovery of the True Homer”: Giambattista Vico and His Contemporaries
Alexander U. Bertland
11 Alexander Pope’s Homer in Its Social and Political Context
Pat Rogers
12 Homer in the Scottish Enlightenment
Ralph McLean
13 The Reception of Homer in the French Enlightenment
Fabienne Moore
14 Eugenios Voulgaris on Homeric Scholarship and the History of Corfu
Christina-Panagiota Manolea
15 Homer in Germany Around 1800: F. A. Wolf’s Prolegomena and Its Immediate Impact
François Renaud
Part 4 Fine Arts—Music
16 Picturing Homer from the Fifteenth Century Onwards
Vincenzo Farinella (translated by Michael McOsker)
17 Costanza e Astuzia: Penelope’s Progress on the Venetian Operatic Stage (1640–1725)
Wendy Heller
18 Homer Through Winckelmann: Education in Receptivity
Holger Schmid
General Index