Between Image and Identity
Autor Karina A. Eileraasen Limba Engleză Hardback – 18 iul 2007
| Toate formatele și edițiile | Preț | Express |
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| Bloomsbury Publishing – 9 iul 2007 | 312.21 lei 6-8 săpt. | |
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| Rowman & Littlefield – 18 iul 2007 | 681.85 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780739118115
ISBN-10: 0739118110
Pagini: 177
Dimensiuni: 160 x 236 x 20 mm
Greutate: 0.44 kg
Editura: Rowman & Littlefield
ISBN-10: 0739118110
Pagini: 177
Dimensiuni: 160 x 236 x 20 mm
Greutate: 0.44 kg
Editura: Rowman & Littlefield
Notă biografică
Descriere
Examines how contemporary postcolonial artists and writers actively participate in the violence of representation in order to re-imagine the relationship between image and identity. This book addresses the autobiographical literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar.
Cuprins
Chapter 1 Fantasizing the Self: Violence and the (Im)possibilities of Representation
Chapter 2 Disorienting Looks, Ecarts d'Identité" Colonial Photography, Ownership, and Identity
Chapter 3 Misrecognizing the Family Album: Blood, Fantasy, and Nationality in the Works of Hèléne Cixous and Theresa Hak Kyung Cha
Chapter 4 Dismembering the Gaze: Speleology and Vivisection in Assia Djebar's L'amour, la fantasia
Chapter 2 Disorienting Looks, Ecarts d'Identité" Colonial Photography, Ownership, and Identity
Chapter 3 Misrecognizing the Family Album: Blood, Fantasy, and Nationality in the Works of Hèléne Cixous and Theresa Hak Kyung Cha
Chapter 4 Dismembering the Gaze: Speleology and Vivisection in Assia Djebar's L'amour, la fantasia
Recenzii
In this wide-ranging transnational study of the ways in which women postcolonial writers have re-staged the relationship between image and identity, Karina Eileraas trains an exquisitely honed critical gaze on the creative forms of aesthetic and political resistance put into practice by such diverse authors as Assia Djebar, Hélène Cixous, and Theresa Hak Kyung Cha. Although her book is informed by the ideas of an impressive array of theorists, it is Eileraas's own engaging voice that, at every turn of the page, drives home the profoundly ethical dimensions of her project.