Bernini Bust

Praise for 'The Bernini Bust': 'An elegant and amusing book, perfect for those who love a clever puzzle.' Mail on Sunday 'Delightfully pursued and narrated puzzle.' Sunday Times 'Iain Pears get better and better...frothy, fun and nicely plotted.' Spectator Praise for the Jonathan Argyll series: 'Superior entertainment.' Allan Massie, Scotsman 'There is nothing so satisfactory as the deconstruction of a puzzle in the hands of such an erudite and sure-footed author.' The Times 'Pears is a delightful writer, with a light, ironic touch.' Frances Fyfield, Mail on Sunday 'Iain Pears writes delightfully witty, elegant, well-informed crime novels.' The Times 'You don't have to know much about art to enjoy Iain Pears's Italian mysteries. Like a good teacher, he shares his passion unobtrusively and flavours his lessons with wit.' Val McDermid 'Pears is a delightful writer, with a light, ironic touch.' Mail on Sunday

Praise for 'The Bernini Bust': 'An elegant and amusing book, perfect for those who love a clever puzzle.' Mail on Sunday 'Delightfully pursued and narrated puzzle.' Sunday Times 'Iain Pears get better and better!frothy, fun and nicely plotted.' Spectator Praise for the Jonathan Argyll series: 'Superior entertainment.' Allan Massie, Scotsman 'There is nothing so satisfactory as the deconstruction of a puzzle in the hands of such an erudite and sure-footed author.' The Times 'Pears is a delightful writer, with a light, ironic touch.' Frances Fyfield, Mail on Sunday 'Iain Pears writes delightfully witty, elegant, well-informed crime novels.' The Times 'You don't have to know much about art to enjoy Iain Pears's Italian mysteries. Like a good teacher, he shares his passion unobtrusively and flavours his lessons with wit.' Val McDermid 'Pears is a delightful writer, with a light, ironic touch.' Mail on Sunday Praise for 'The Portrait': 'A wonderful, grimly entertaining novel.' Sunday Telegraph 'A revenge fantasy to relish.' Independent on Sunday 'Genuinely creepy.' The Times 'An exquisite miniature that explores the roles of artist and critic with wit and gore.' Evening Standard 'This is an atmospheric tour de force of historical writing, as it is of narrative skill.' Independent 'Taut, disturbing!full of interesting observations about the late nineteenth -- and early twentieth-century art world!mesmerising.' Spectator