Before the Arts Council: Campaigns for State Funding of the Arts in Britain 1934-44
Autor Dr. Howard Webberen Limba Engleză Hardback – 25 feb 2021
Before the Arts Council rediscovers three forgotten but influential campaigns for state support of the arts in Britain in the 1930s and wartime. Webber's impressive historical excavation challenges existing scholarship, which argues that arts subsidy was the result of the war, and instead re-situates the campaign's origins in the pre-war years. Webber does so by drawing on correspondence from influential figures including Ralph Vaughan Williams, John Maynard Keynes and J.B Priestley, along with extensive use of government papers.
Before the Arts Council is a lively, compelling and scrupulously researched account of a subject consistently misunderstood and misrepresented. It changes our understanding of an aspect of British cultural history we thought we knew well. It will appeal to students of twentieth century social and political history and to anyone with a general interest in the arts and in this period.
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Specificații
ISBN-13: 9781350167933
ISBN-10: 1350167932
Pagini: 264
Ilustrații: 1 bw illus
Dimensiuni: 164 x 238 x 20 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350167932
Pagini: 264
Ilustrații: 1 bw illus
Dimensiuni: 164 x 238 x 20 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Chapter 1: The Creation Myth of the Arts Council
Introduction
The Creation Myth and its Persistence
Scope and Aims of this Book
Chapter 2: Theatre and Classical Music in 1930s Britain
Introduction
Cinema v Theatre
Broadcasting v Live Music
Conclusion
Chapter 3: The League of Audiences: (i) 'I am progressing Almost Beyond my Hopes': A Forgotten Debate
'Advancing Upon the Iron Portals of Whitehall': the League Begins
Alfred Wareing
The League and the Press
The League's Supporters
The League's Programme
'A Piece of Idealistic Blackmailing': the League Gains Support
Chapter 4: The League of Audiences: (ii) Fear of the Machine and Distrust of the State
Introduction
The League and Mechanised Art: (a) 'A Sensation of Impotence and Dumb Acquiescence'
'Condemned to Death by Being Canned Alive': The Scope of the Issue
'Death to Hollywood'?
Opposition to 'Mechanised Music'
The League and Mechanised Art: (b) The Involvement of the Churches
'Under the Shadow of a New State Obligation': Opposition to the League of Audiences
Conclusion
Chapter 5: The League of Audiences: (iii) Decline, Fall and Legacy
Introduction
'Mr Wareing is Filled With Something of the Crank Ingredient': The League of Audiences and the BBC
The League of Audiences and the Theatrical Establishment
The End of The League of Audiences: (A) Decline
The End of The League of Audiences: (B) Fall
The End of The League of Audiences: (C) Lingering Death
The Significance and Legacy of The League of Audiences
Chapter 6: John Christie and the 'Council of Power': 1936-39
Introduction
The Beginnings: 'I Want to Form a Royal Society of Music'
The Glyndebourne Conference of March 1938
Christie Prepares
Discussion at the Conference
The July 1938 Conference
Christie in the Approach to War
conclusion
Chapter 7 'Cema is Already Broken Down': John Christie and the National Council of Music 1939-41
Introduction
Preliminary Lobbying: to Summer 1940
'The Psychological Moment Has Arrived': to December 1940
Christie and the Musicians
Successes and Excesses
'Let the Flags Be Out. Let Us Drive in State': to Spring 1941
Christie's Friends and Supporters in Spring 1941
Conclusion
Chapter 8: Butler, Keynes and the End of Christie's National Council of Music: 1941-44
Global Ambitions and Legal Minutiae: the NCM Spring to Autumn 1941
'We Are At Last Unofficially Accepted & Wanted': Christie Misunderstands - Autumn 1941 to Spring 1942
'Damn the Machine': Keynes Blocks the NCM - Spring and Summer 1942
'I See Nothing But Hate and Envy': Late 1942 to Spring 1943
The End of the NCM: Spring 1943 to Autumn 1944
Conclusion
Chapter 9: 'No Levy on Laughter and no Fine on Fun!': the Campaign Against Entertainments Duty
Introduction
Origin and History of Entertainments Duty to 1933
1933-34 - The Old Vic and Sadler's Wells: Music, Drama and Education
The Campaign 1933-39: 'Why Should "Crazy Nights at Clacton" Escape?'
Conclusion: 'Bringing an Aesthetic Principle into Politics'?
Chapter 10: Restoring the Picture
The Picture Revealed
Completing the Picture
Bibliography
Chapter 1: The Creation Myth of the Arts Council
Introduction
The Creation Myth and its Persistence
Scope and Aims of this Book
Chapter 2: Theatre and Classical Music in 1930s Britain
Introduction
Cinema v Theatre
Broadcasting v Live Music
Conclusion
Chapter 3: The League of Audiences: (i) 'I am progressing Almost Beyond my Hopes': A Forgotten Debate
'Advancing Upon the Iron Portals of Whitehall': the League Begins
Alfred Wareing
The League and the Press
The League's Supporters
The League's Programme
'A Piece of Idealistic Blackmailing': the League Gains Support
Chapter 4: The League of Audiences: (ii) Fear of the Machine and Distrust of the State
Introduction
The League and Mechanised Art: (a) 'A Sensation of Impotence and Dumb Acquiescence'
'Condemned to Death by Being Canned Alive': The Scope of the Issue
'Death to Hollywood'?
Opposition to 'Mechanised Music'
The League and Mechanised Art: (b) The Involvement of the Churches
'Under the Shadow of a New State Obligation': Opposition to the League of Audiences
Conclusion
Chapter 5: The League of Audiences: (iii) Decline, Fall and Legacy
Introduction
'Mr Wareing is Filled With Something of the Crank Ingredient': The League of Audiences and the BBC
The League of Audiences and the Theatrical Establishment
The End of The League of Audiences: (A) Decline
The End of The League of Audiences: (B) Fall
The End of The League of Audiences: (C) Lingering Death
The Significance and Legacy of The League of Audiences
Chapter 6: John Christie and the 'Council of Power': 1936-39
Introduction
The Beginnings: 'I Want to Form a Royal Society of Music'
The Glyndebourne Conference of March 1938
Christie Prepares
Discussion at the Conference
The July 1938 Conference
Christie in the Approach to War
conclusion
Chapter 7 'Cema is Already Broken Down': John Christie and the National Council of Music 1939-41
Introduction
Preliminary Lobbying: to Summer 1940
'The Psychological Moment Has Arrived': to December 1940
Christie and the Musicians
Successes and Excesses
'Let the Flags Be Out. Let Us Drive in State': to Spring 1941
Christie's Friends and Supporters in Spring 1941
Conclusion
Chapter 8: Butler, Keynes and the End of Christie's National Council of Music: 1941-44
Global Ambitions and Legal Minutiae: the NCM Spring to Autumn 1941
'We Are At Last Unofficially Accepted & Wanted': Christie Misunderstands - Autumn 1941 to Spring 1942
'Damn the Machine': Keynes Blocks the NCM - Spring and Summer 1942
'I See Nothing But Hate and Envy': Late 1942 to Spring 1943
The End of the NCM: Spring 1943 to Autumn 1944
Conclusion
Chapter 9: 'No Levy on Laughter and no Fine on Fun!': the Campaign Against Entertainments Duty
Introduction
Origin and History of Entertainments Duty to 1933
1933-34 - The Old Vic and Sadler's Wells: Music, Drama and Education
The Campaign 1933-39: 'Why Should "Crazy Nights at Clacton" Escape?'
Conclusion: 'Bringing an Aesthetic Principle into Politics'?
Chapter 10: Restoring the Picture
The Picture Revealed
Completing the Picture
Bibliography
Recenzii
This wonderful book, witty, scholarly, revelatory shows how the arts became the People's Arts and why it was so important they did. It took the visionary arguments and campaigns to lay the groundwork for a reforming government after the Second World War to make the arts belong to all of us.
Webber challenges the prevailing view that the idea of government subsidy of the arts emerged only during the war. He reveals the origins of the Arts Council in pre-war campaigns originating in the belief of well-known elite figures that the arts needed rescue from terminal decline due to competition from the 'mechanized arts' of film, radio and gramophone records. He shows rather that the arts flourished, helped not hindered by the wider access provided by the BBC and recordings, and that interwar governments were more supportive of funding the arts than previously suggested.
Howard Webber shines a fascinating light on an all-but-forgotten period in British cultural history. He tells the story with clarity and humour; and it is inspiring (as well as being extremely relevant) to discover the riches that emerged in our national life from a time of crisis.
Webber challenges the prevailing view that the idea of government subsidy of the arts emerged only during the war. He reveals the origins of the Arts Council in pre-war campaigns originating in the belief of well-known elite figures that the arts needed rescue from terminal decline due to competition from the 'mechanized arts' of film, radio and gramophone records. He shows rather that the arts flourished, helped not hindered by the wider access provided by the BBC and recordings, and that interwar governments were more supportive of funding the arts than previously suggested.
Howard Webber shines a fascinating light on an all-but-forgotten period in British cultural history. He tells the story with clarity and humour; and it is inspiring (as well as being extremely relevant) to discover the riches that emerged in our national life from a time of crisis.