Basic Condition Reporting: A Handbook
Autor Southeastern Registrars Association, Deborah Rose Van Horn, Corinne Midgett, Heather Culliganen Limba Engleză Hardback – 15 feb 2022
A good condition report is an accurate and informative account of an object's state of preservation at a particular moment in time. Condition reports can have multiple functions such as recording the state of an object prior to an exhibition or loan, after exhibition or loan, to assist in collections planning, or as a tool for the treatment of an object. Most of these functions can be conducted by a registrar, curator, collections manager, or volunteer.
A good condition report fills many critical needs including:
Knowing the exact condition of an object before or after a loanHelping staff determine the stability of an object for exhibit or loanLimiting how often an object is handledInforming object handlers of unseen problemsShowing the condition of an object over time to determine the rate of deteriorationSetting priorities for conservationAssisting the staff in identifying similar objects Aiding in the valuation of an object for insurance purposes
The fifth edition of Basic Condition Reporting: A Handbook proffers a standard vocabulary for all of the individuals in a museum that may be conducting condition reports. In an ideal world, everyone who does a condition report for an item would be trained in the exact same standards, use the same terminology, and use the exact same form, etc. However, the reality is that even if every registrar, collections manager, and curator in your institution does condition reports, each report will be slightly different. Then you throw in every intern, volunteer, or student that may assist and you will find a variety of methods and terminologies that appear. This volume provides a baseline that all of these people can work from so that any person who opens the condition report can understand what the problems on a particular piece include.
Basic Condition Reporting, Fifth Edition is a great resource for learning the basics of doing condition reports for museum objects. The book looks at different material types and helps new and seasoned professionals identify condition issues for a variety of materials. This new addition has several new chapters including information on digital condition reporting, wood objects, mixed media objects and taxidermy while expanding the information for existing chapters. This book is a great resource for those new to the museum field and a handy reference to collections professionals.
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Specificații
ISBN-13: 9781538150597
ISBN-10: 153815059X
Pagini: 184
Ilustrații: 108 b/w illustrations
Dimensiuni: 227 x 291 x 18 mm
Greutate: 0.78 kg
Ediția:5
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
ISBN-10: 153815059X
Pagini: 184
Ilustrații: 108 b/w illustrations
Dimensiuni: 227 x 291 x 18 mm
Greutate: 0.78 kg
Ediția:5
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
Cuprins
Dedication
Acknowledgements
Corinne Midgett, Chair, Southeastern Registrars Association
Preface
Chapter One: Condition Reporting: An Introductory Primer
Deborah Rose Van Horn and Heather Culligan
Chapter Two: Condition Reports for Incoming and Outgoing Loans
Michelle Gallagher Roberts
Chapter Three: Digital Condition Reporting
Tommie Rodgers
Chapter Four: Archaeological Artifacts
Elise LeCompte
Chapter Five: Basketry
Rachel Shabica
Chapter Six: Ceramics
Erica Hague
Chapter Seven: Ethnographic Collections
Nicole Passerotti
Chapter Eight: Furniture
Misty Tillson Jackson
Chapter Nine: Glass
Erica Hague
Chapter Ten: Metals
Mary LaGue
Chapter Eleven: Mixed Media Objects
Robin P. Croskery Howard
Chapter Twelve: Natural History Collections
Kara Hurst
Chapter Thirteen: Paintings and Frames
Dixie Neilson
Chapter Fourteen: Paper
Latoya Devezin
Chapter Fifteen: Photographs
Stephanie Gaub Antequino
Chapter Sixteen: Plastics
Mary Coughlin
Chapter Seventeen: Sculpture
Kyle Bryner
Chapter Eighteen: Skin and Leather
Jillian Matthews
Chapter Nineteen: Taxidermy
Fran Ritchie
Chapter Twenty: Textiles
Laura Mina
Chapter Twenty-one: Wood
Katherine Steiner
About the Southeastern Registrars Association
About the Editors and Contributors
Acknowledgements
Corinne Midgett, Chair, Southeastern Registrars Association
Preface
Chapter One: Condition Reporting: An Introductory Primer
Deborah Rose Van Horn and Heather Culligan
Chapter Two: Condition Reports for Incoming and Outgoing Loans
Michelle Gallagher Roberts
Chapter Three: Digital Condition Reporting
Tommie Rodgers
Chapter Four: Archaeological Artifacts
Elise LeCompte
Chapter Five: Basketry
Rachel Shabica
Chapter Six: Ceramics
Erica Hague
Chapter Seven: Ethnographic Collections
Nicole Passerotti
Chapter Eight: Furniture
Misty Tillson Jackson
Chapter Nine: Glass
Erica Hague
Chapter Ten: Metals
Mary LaGue
Chapter Eleven: Mixed Media Objects
Robin P. Croskery Howard
Chapter Twelve: Natural History Collections
Kara Hurst
Chapter Thirteen: Paintings and Frames
Dixie Neilson
Chapter Fourteen: Paper
Latoya Devezin
Chapter Fifteen: Photographs
Stephanie Gaub Antequino
Chapter Sixteen: Plastics
Mary Coughlin
Chapter Seventeen: Sculpture
Kyle Bryner
Chapter Eighteen: Skin and Leather
Jillian Matthews
Chapter Nineteen: Taxidermy
Fran Ritchie
Chapter Twenty: Textiles
Laura Mina
Chapter Twenty-one: Wood
Katherine Steiner
About the Southeastern Registrars Association
About the Editors and Contributors
Recenzii
As a registrar at an academic museum, I rely on Basic Condition Reporting as a vital resource for training interns and students in the museums studies program. The revised fifth edition continues to provide the core terms and procedures needed for properly condition reporting objects of all types, while also addressing the various uses for condition reports and the ever-changing approaches to conducting the reports in the digital world. Basic Condition Reporting is a must-have for both emerging and seasoned museum collections professionals.
This updated and expanded edition of the well-respected standard handbook for condition reporting includes new chapters on digital condition reporting, wood, and taxidermy, along with detailed definitions, updated references and clear guidelines. This is an invaluable resource that every registrar, collection manager, and curator should have at hand.
This synergistic collaboration of professionals with specializations in a variety of artifact types guides readers to document condition thoroughly with useful methods and terminology. The value of this manual extends well beyond condition reporting; it also addresses artifact care and cataloging and serves as an excellent introduction to working with collections.
The breadth of information included in Basic Condition Reporting: A Handbook, 5th Edition is so complete that every collection-care professional will be able to find the terminology best suited to condition any object or artwork. In my fourteen years as Registrar, I've habitually used this handbook and will continue to do so with the expanded 5th edition.
Basic Condition Reporting ought to be a staple of any museum collection professional's library. The fifth edition, which includes new guidance on digital condition reporting, brings the world of condition reporting up to speed with the realities of a post-pandemic society.
This updated and expanded edition of the well-respected standard handbook for condition reporting includes new chapters on digital condition reporting, wood, and taxidermy, along with detailed definitions, updated references and clear guidelines. This is an invaluable resource that every registrar, collection manager, and curator should have at hand.
This synergistic collaboration of professionals with specializations in a variety of artifact types guides readers to document condition thoroughly with useful methods and terminology. The value of this manual extends well beyond condition reporting; it also addresses artifact care and cataloging and serves as an excellent introduction to working with collections.
The breadth of information included in Basic Condition Reporting: A Handbook, 5th Edition is so complete that every collection-care professional will be able to find the terminology best suited to condition any object or artwork. In my fourteen years as Registrar, I've habitually used this handbook and will continue to do so with the expanded 5th edition.
Basic Condition Reporting ought to be a staple of any museum collection professional's library. The fifth edition, which includes new guidance on digital condition reporting, brings the world of condition reporting up to speed with the realities of a post-pandemic society.