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Artistic Applications through Critical Autoethnography: A Therapeutic Approach: International Congress of Qualitative Inquiry (ICQI) Foundations and Futures in Qualitative Inquiry

Editat de Bryant Keith Alexander
en Limba Engleză Hardback – 3 feb 2027
This book promotes a 'therapeutic' aspect of autoethnographic inquiry, performance, presentation, and exhibition. The edited collection engages art, artistic expression, and artistic reflections on lived experience as performative artistic interventions and therapeutics in coping.
It is structured around a series of textual autoethnographic performances, position statements by expressive art therapists, evidenced pieces of art and essays. Chapter authors include practising art therapists, professors of expressive art therapies, students, and practitioners of autoethnography. Section 5 includes study questions, prompts, and probes for both students and researchers.
In addition to students and researchers interested in qualitative research methodologies, people interested in expressive art therapies, psychotherapy, psychology, and counselling will find this book compelling.
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Specificații

ISBN-13: 9781041112853
ISBN-10: 1041112858
Pagini: 324
Ilustrații: 72
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria International Congress of Qualitative Inquiry (ICQI) Foundations and Futures in Qualitative Inquiry

Locul publicării:Oxford, United Kingdom

Public țintă

Academic, Postgraduate, and Undergraduate Advanced

Notă biografică

Bryant Keith Alexander is Professor and Dean of College of Communication and Fine Arts at Loyola Marymount University, Los Angeles.

Cuprins

Introduction   
                                                                                               Bryant Keith Alexander
 
Section I: “Performative Applications through Critical Autoethnography”
(Section Frame)                                                                        Bryant Keith Alexander
1.       “Breath, Breathe, Breathing With: Critical Autoethnography as
Coordinated Public Response (CPR)”                                           
 Bryant Keith Alexander
 
2.       “Shadows Behind the Mattering”
Donna F. Henson
 
3.       “Our bodies remember: On breathing, boxing, and overcoming                                 childhood sexual abuse”
Elisabeth Hanscombe
 
4.       “Dancing with the Trouble Towards Intra-active Imagination and ‘Also’Ethnography”                                                                                                                         Deborah Green
 
5.       “Space within the Body, Body within Space”
 
Zoe Bauer
 
 
6.       “Breathing History”                                                                      
Cymbeline Buhler King
 
7.       “Speaking of We: A/r/tographic Inquiry as Becoming”
 
Angie Hostetler
Section II. “Invoking the Art of the Personal: Perspective of/on Autoethnogrpahy Through Expressive Art Practices”
(Section Frame)                                                                                     
Bryant Keith Alexander
8.       “Weaving Hybridity: Flow, Diasporic Return and the Cultural In-Between”
Joyce Yip Green
 
9.       “Performed Auto-Ethnography and Drama Therapy: Belonging and Not Belonging”                                                                                                       Myriam (Mimi) Savage  and Jessica Bleuer
 
10.   “‘I screamed through my art’: An art therapist’s autoethnographic exploration
of protest (art),”
Kristyn Stickley
 
11. “BE(COM)ING Integrating art, therapy, and life”                                        Girija Kaimal
12.  “Everyone Wins: Empowering Community Members as Facilitators of Social Emotional Arts                                                                                    Ping Ho
 
Section III: “Applications through Art Therapists (in Training) Artistic Exhibition
(Section Frame)                       
 
 Bryant Keith Alexander
 
13. “Sacred Webs: Exploring the Connection between Nature, Art and Self” Josie Bennett
14. “Birth and Death and Those of Us Left in Between: Using Art to Release Inner Pain” Jenna Rose Newman
15. “Landscape”                                                                                   Jacqueline Tardie
 
16. “Love is Never Gone to Waste: Heartbreak Externalized Through Art Installation
Renee O’Connor
17. “Speaking in Visuals: Healing, Connection, and Sanctuary Through Artistic Dialogue”
Kelly Sheridan
18. “Blessed is the Peach”, “Comfort Blanket,” and “My Sweet Strawberry”   Jane F. Tse
Section IV: “Critical and Reflective Essays on Autoethnography in/as Therapy and Recuperation”
(Section Frame)                                                                                   Bryant Keith Alexander
19. “Falling in love with writing: How autoethnography can foster reparative, creative           and collaborative relationships”
Stacy Holman Jones & Daniel X. Harris
20. “Transform, transform, and transform again: Some therapeutic and recuperative possibilities through multimedia autoethnography”                                                     David Carless
21. “Wayfinding the Vā: Healing Through Samoan Indigenous Autoethnography and the Sacred Art of Aiga                                                                                                Fetaui Iosefo
22. “Aesthetic Inquiry into Movement: Attending to Consequences of Physical Immersion in the Natural World and competitive sport"                                                           Kitrina Douglas
 
Section V: “Explorations with/out Conclusions: Helpful Engagements”
(Section Frame)                                                                                 
Bryant Keith Alexander
23. Explorations and Speculations on Autoethnographic Fieldwork.     
Bryant Keith Alexander
24. Study Questions, Prompts, and Probes for Reflection                       
Bryant Keith Alexander

Descriere

This book promotes  a 'therapeutic' aspect of autoethnographic inquiry, performance, presentation, and exhibition. The edited collection engages art, artistic expression, and artistic reflections on lived experience as performative artistic interventions and therapeutics in coping.