Art During Wartime
Autor Vanessa Meikle Schulmanen Limba Engleză Paperback – 26 aug 2024
With attention to how the war shaped new definitions of gender, race, and disability, Art during Wartime uncovers the complexity of these genre paintings. Schulman uses seven case studies of prominent and lesser-known artists who explored how the war instigated social change and shaped northern opinions about current events, including George Cochran Lambdin, Vincent Colyer, and Eastman Johnson. Utilizing detailed visual analysis and extensive historical research, Art during Wartime reframes our narrative of Civil War visual culture, placing genre painting in a central ideological role.
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| University of Massachusetts Press – 26 aug 2024 | 239.48 lei 3-5 săpt. | |
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| University of Massachusetts Press – 26 aug 2024 | 563.28 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781625348012
ISBN-10: 1625348010
Pagini: 312
Ilustrații: 55 illus.
Dimensiuni: 148 x 228 x 22 mm
Greutate: 0.43 kg
Editura: University of Massachusetts Press
ISBN-10: 1625348010
Pagini: 312
Ilustrații: 55 illus.
Dimensiuni: 148 x 228 x 22 mm
Greutate: 0.43 kg
Editura: University of Massachusetts Press
Notă biografică
VANESSA MEIKLE SHULMAN is associate professor of history and art history at George Mason University.
Cuprins
Illustrations
Acknowledgments
Introduction
1. Navigating Public and Private: Thomas Hicks, The Home Guard, 1863
2. Masculine Sentiments: George Cochran Lambdin, The Consecration, 1861, 1865
3. Christmas and the Absent Father: Louis Lang, Trimming the Christmas Tree, 1865
4. The Emancipation Moment: Vincent Colyer, The Contraband, 1862
5. Securing the Black Franchise: Thomas Waterman wood, American Citizens, 1867
6. The Economy of Disability: Eastman Johnson, The Pension Claim Agent, 1867
Conclusion. When the War Was Over: Joseph W. John, Harvest Home, 1867
Notes
Index
Acknowledgments
Introduction
1. Navigating Public and Private: Thomas Hicks, The Home Guard, 1863
2. Masculine Sentiments: George Cochran Lambdin, The Consecration, 1861, 1865
3. Christmas and the Absent Father: Louis Lang, Trimming the Christmas Tree, 1865
4. The Emancipation Moment: Vincent Colyer, The Contraband, 1862
5. Securing the Black Franchise: Thomas Waterman wood, American Citizens, 1867
6. The Economy of Disability: Eastman Johnson, The Pension Claim Agent, 1867
Conclusion. When the War Was Over: Joseph W. John, Harvest Home, 1867
Notes
Index
Recenzii
“Art during Wartime serves as a valuable reference for anyone interested in Northern Civil War art and artists or Civil War era gender roles, holiday celebrations, Black emancipation and the Black franchise, voting in mid-nineteenth America, concepts of citizenship, and the treatment of disabled veterans and the pension process.”—Audrey Scanlan-Teller, Emerging Civil War
“This book breaks much new ground, especially by foregrounding lesser-known artists of the period and uncovering hitherto unknown works of art. Highly recommended.”—CHOICE
“Schulman makes a compelling argument that Civil War genre paintings absorbed, reflected, and shaped broader concerns around gender, race, and disability. Art during Wartime is a brilliant addition to the scholarship on painting in nineteenth-century America.”—Jochen Wierich, author of Grand Themes: Emanuel Leutze, Washington Crossing the Delaware, and American History Painting
“Few scholars of American art have tackled artistic representations of the Civil War, and Schulman is impressively thorough in surveying the field. Art during Wartime is an essential contribution to American art history.”—Patricia Johnston, editor of Seeing High and Low: Representing Social Conflict in American Visual Culture
“This book breaks much new ground, especially by foregrounding lesser-known artists of the period and uncovering hitherto unknown works of art. Highly recommended.”—CHOICE
“Schulman makes a compelling argument that Civil War genre paintings absorbed, reflected, and shaped broader concerns around gender, race, and disability. Art during Wartime is a brilliant addition to the scholarship on painting in nineteenth-century America.”—Jochen Wierich, author of Grand Themes: Emanuel Leutze, Washington Crossing the Delaware, and American History Painting
“Few scholars of American art have tackled artistic representations of the Civil War, and Schulman is impressively thorough in surveying the field. Art during Wartime is an essential contribution to American art history.”—Patricia Johnston, editor of Seeing High and Low: Representing Social Conflict in American Visual Culture