Cantitate/Preț
Produs

Armchair Cinema

Autor Sheldon Hall
en Limba Engleză Hardback – 30 iun 2024
Since broadcast television first emerged as a serious alternative to the cinema, more people have seen films on TV than by any other means. Feature films originally made for the big screen were initially withheld from TV by the film industry in the competition for audiences. Struggles between film and television interests settled into a truce in the mid-1960s, since when thousands of films have been shown on British terrestrial television each year. They assumed particular importance in the 1970s and 1980s, when cinema blockbusters became major TV events and themed seasons gave viewers access to many older movies.
This book provides a comprehensive history and analysis of the ways in which cinema films have figured in TV programming in the UK and the role that British television has played in changing the consumption of film entertainment.
Citește tot Restrânge

Preț: 73785 lei

Preț vechi: 92199 lei
-20%

Puncte Express: 1107

Carte indisponibilă temporar

Livrare prin curier în România Termenul estimat este afișat lângă disponibilitate.
Transport gratuit pentru acest produs Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.

Specificații

ISBN-13: 9781399520133
ISBN-10: 139952013X
Pagini: 536
Dimensiuni: 170 x 244 x 30 mm
Greutate: 1.05 kg
Editura: EDINBURGH UNIVERSITY PRESS

Notă biografică

Sheldon Hall is an Emeritus Fellow at Sheffield Hallam University, UK. A former film journalist, he has contributed to numerous books and journals on British and American cinema. He is the author of Armchair Cinema: A History of Feature Films on British Television, 1929-1981 (EUP, 2024) and Zulu: With Some Guts Behind It (2005/2014), co-author of Epics, Spectacles, and Blockbusters: A Hollywood History (2010), and co-editor of Widescreen Worldwide (2010).

Descriere

A history and analysis of how films have figured in TV programming in the UK and the role that British television services have played in changing the nature of film entertainment