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Aphrodite and Eros: The Development of Greek Erotic Mythology de Barbara Breitenberger

Aphrodite and Eros: The Development of Greek Erotic Mythology: Studies in Classics

Autor Barbara Breitenberger
en Limba Engleză Hardback – 30 mai 2007
An interdisciplinary analysis of the Archaic period--using literary, iconographical, and cultic evidence--shows the distinct concept behind the two deities of love. Aphrodite's character, sphere of influence, and function feature in her traditional myths and are well reflected in cult.
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Specificații

ISBN-13: 9780415968232
ISBN-10: 0415968232
Pagini: 306
Ilustrații: 16 halftones
Dimensiuni: 152 x 229 x 21 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Classics

Locul publicării:Oxford, United Kingdom

Notă biografică

Barbara Breitenberger is Assistant Professor in the Department of Classics, University of Cincinnati. Her main interests focus on Greek literature (archaic period), mythology, and religion. She has also written a translation and commentary on fragments of Aristotle's poetic writings.

Cuprins

Introduction 1. Aphrodite: The Historical Background 1.1. Introduction 1.2. The dating of the Hesiodic and Homeric Poems 1.3. Aphrodite's Origins 1.4. Cultic and Literary Evidence for Aphrodite Oujraniva's Near-Eastern Origins 1.5. The Myth of Aphrodite Oujraniva 1.6. Ishtar-Astarte and Aphrodite in Iconography 1.7. Aphrodite and Doves 1.8. Aphrodite and Dione 1.9. Conclusion 2. Some aspects of Mythmaking and cults of Aphrodite 2.1. Introduction 2.2. Divine Manifestations 2.3. Cultic Features and Epic Narrative 2.4. Aphrodite Pavndhmo in Attic Myth and Cult 2.5. Cults of Aphrodite Pavndhmo and Their Worshippers 2.6. Aphrodite Pavndhmo and the Magistrates 2.7. Aphrodite and Her Companions in Cult 2.8. Myths of Aphrodite and Harmonia 2.9. Conclusion 3. Losing her own game: Aphrodite in the Homeric Hymn 3.1. Introduction 3.2. The Background of the Hymn 3.3. The Mythical Narration: A Love Story 3.4. The Representation of Aphrodite: Adornment-scenes, Epiphanies and Cult Statues 3.5. Conclusion