Anita de Monte Laughs Last
Autor Xochitl Gonzalezen Limba Engleză Paperback – 13 mar 2025
'Smart, funny - and furious' MARIE CLAIRE
'Genre-busting ... A clear-eyed deconstruction of skewed value systems' FINANCIAL TIMES
It's 1985 and Anita de Monte, a rising star in the art world, is found dead in New York City. Thirteen years later, art history student Raquel is preparing her final thesis, feeling the pressure to work twice as hard for the same opportunities as the wealthy students around her. Anita's name - and the mysterious circumstances around her death - has all but faded from view.
When Raquel becomes romantically involved with a well-connected older student, she finds herself unexpectedly rising up the social ranks. But then she stumbles upon Anita's story, and is struck not only by the question of who gets to leave a legacy, but by how her own relationship eerily mirrors that of the forgotten artist . . .
* A NEW YORK TIMES, ELLE AND GOOD HOUSEKEEPING HIGHLIGHT *
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (3) | 45.98 lei 3-5 săpt. | +34.59 lei 6-12 zile |
| Bloomsbury Publishing – 13 mar 2025 | 45.98 lei 3-5 săpt. | +34.59 lei 6-12 zile |
| Bloomsbury Publishing – 5 mar 2024 | 76.87 lei 3-5 săpt. | +47.12 lei 6-12 zile |
| MACMILLAN USA – 4 mar 2025 | 95.49 lei 18-23 zile | +8.27 lei 6-12 zile |
| Hardback (3) | 88.52 lei 3-5 săpt. | +55.94 lei 6-12 zile |
| Bloomsbury Publishing – 5 mar 2024 | 88.52 lei 3-5 săpt. | +55.94 lei 6-12 zile |
| Flatiron Books – 5 mar 2024 | 154.89 lei 3-5 săpt. | |
| Gale, a Cengage Group – 5 mar 2024 | 291.24 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781526676290
ISBN-10: 152667629X
Pagini: 341
Dimensiuni: 128 x 196 x 24 mm
Greutate: 0.26 kg
Editura: Bloomsbury Publishing
Locul publicării:London, United Kingdom
ISBN-10: 152667629X
Pagini: 341
Dimensiuni: 128 x 196 x 24 mm
Greutate: 0.26 kg
Editura: Bloomsbury Publishing
Locul publicării:London, United Kingdom
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Recenzii
Set across dual timelines in which both so much and so little has changed, this is a smart, funny - and furious - shout out to agency, ownership and the female creative spirit in the face of art world hierarchies, hypocrisies and -isms
Halfway through the novel she upends things, turning a narrative about race relations into a ghost story ... It is this kind of genre-busting that distinguishes her writing ... Gonzalez crosshatches her characters with flaws and redeeming aspects ... Gonzalez is similarly nuanced in her clear-eyed deconstructions of skewed value systems
Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy
There is an innate rage and melody in the prose, which is beautifully written
A passionate and piercing examination of power in elite art circles
Gonzalez's sophomore outing deserves a mouse on her doorstep in gratitude ... This is a brutal but ultimately heartwarming and certainly thought-provoking novel of Latinx magic, family, and feminine power
Gonzalez shrewdly anatomizes racial and class hierarchies ... Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions to brutally racist behavior ... An uncompromising message, delivered via a gripping story with two engaging heroines
Part campus novel, part ghost story, Xochitl Gonzalez's second novel, Anita de Monte Laughs Last, fearlessly takes on racism and misogyny in the rarefied world of fine art and art history ... Though told with humour and a light touch, Gonzalez doesn't shy away from serious issues: the erasure of women from the art history canon and the racism often faced by first generation students of colour at Ivy League colleges ... Anita de Monte Laughs Last boldly questions the choices behind what we are taught and demands that the complete story be disclosed
Funny, piercing, and full of moxie ... What Xochitl Gonzalez has written is an affirmation for anyone who's ever had to 'work twice as hard to get half as much.' Anita de Monte Laughs Last is rollicking, melodic, tender, and true. And oh so very wise
Bravo! A remarkable story about reclaiming what has been erased. Reader, enjoy!
I might have actually gasped when I read the news that Anita De Monte Laughs Last would be published in 2024. Gonzalez has that particular penchant for navigating perspectives in a voice that's at once delightfully humorous and sobering. Anita demonstrates that penchant from its earliest sentences, flowing right into the New York City art world of the '80s and '90s with enviable ease
Unflinching and thought-provoking
Halfway through the novel she upends things, turning a narrative about race relations into a ghost story ... It is this kind of genre-busting that distinguishes her writing ... Gonzalez crosshatches her characters with flaws and redeeming aspects ... Gonzalez is similarly nuanced in her clear-eyed deconstructions of skewed value systems
Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy
There is an innate rage and melody in the prose, which is beautifully written
A passionate and piercing examination of power in elite art circles
Gonzalez's sophomore outing deserves a mouse on her doorstep in gratitude ... This is a brutal but ultimately heartwarming and certainly thought-provoking novel of Latinx magic, family, and feminine power
Gonzalez shrewdly anatomizes racial and class hierarchies ... Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions to brutally racist behavior ... An uncompromising message, delivered via a gripping story with two engaging heroines
Part campus novel, part ghost story, Xochitl Gonzalez's second novel, Anita de Monte Laughs Last, fearlessly takes on racism and misogyny in the rarefied world of fine art and art history ... Though told with humour and a light touch, Gonzalez doesn't shy away from serious issues: the erasure of women from the art history canon and the racism often faced by first generation students of colour at Ivy League colleges ... Anita de Monte Laughs Last boldly questions the choices behind what we are taught and demands that the complete story be disclosed
Funny, piercing, and full of moxie ... What Xochitl Gonzalez has written is an affirmation for anyone who's ever had to 'work twice as hard to get half as much.' Anita de Monte Laughs Last is rollicking, melodic, tender, and true. And oh so very wise
Bravo! A remarkable story about reclaiming what has been erased. Reader, enjoy!
I might have actually gasped when I read the news that Anita De Monte Laughs Last would be published in 2024. Gonzalez has that particular penchant for navigating perspectives in a voice that's at once delightfully humorous and sobering. Anita demonstrates that penchant from its earliest sentences, flowing right into the New York City art world of the '80s and '90s with enviable ease
Unflinching and thought-provoking
Notă biografică
Xochitl Gonzalez is the New York Times bestselling author of Olga Dies Dreaming. Named a Best of 2022 by The New York Times, TIME, Kirkus, Washington Post, and NPR, Olga Dies Dreaming was the winner of the Brooklyn Public Library Book Prize in Fiction and the New York City Book Award. Gonzalez is a 2021 MFA graduate from the Iowa Writers' Workshop. Her nonfiction work has been published in Elle Decor, Allure, Vogue, Real Simple, and The Cut. She is a staff writer for The Atlantic, where her work has been nominated for a Pulitzer Prize. A native Brooklynite and proud public school graduate, Gonzalez holds a BA from Brown University and lives in her hometown of Brooklyn with her dog, Hectah Lavoe.