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Andrzej Zulawski: Abject Cinema: Eastern European Screen Cultures

Autor Henri de Corinth
en Limba Engleză Paperback – dec 2025
Andrzej Zulawski (1940–2016) was born in Lwów, Poland (now Lviv, Ukraine) and educated in Paris. From 1971 to 2015 he directed thirteen feature films. Andrzej Zulawski: Abject Cinema interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora, with the narratives in Zulawski’s filmography amounting to an experience of the abject -being not merely the state of affairs among the films’ subjects but also of their collective regression to a semiotic non-verbal state divorced from the symbolic verbal-visual language employed by cinema as a whole. It further contextualizes this interpretation with the sociopolitical circumstances from which Zulawski emerged, specifically his Polish homeland occupied by various foreign powers, his emigre status in France, and the influence of the Polish Romantic movement.
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Specificații

ISBN-13: 9781041175575
ISBN-10: 1041175574
Pagini: 248
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.46 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Eastern European Screen Cultures

Locul publicării:Oxford, United Kingdom

Public țintă

Academic

Notă biografică

Henri de Corinth is a film writer based in Washington DC. An art historian and linguist by training, his writing has appeared in Lo Specchio Scuro, MUBI Notebook, Kinoscope, Senses of Cinema, and We Are The Mutants.

Cuprins

Part I: Landscapes of Affect, Chapter 1: Kristeva and Zulawski, Chapter 2: Zulawski and Ideology, Chapter 3: The Maternal, Chapter 4: Landscapes of Affect, Part II: Abject Cinema, Chapter 5: Children Are An Ism, Chapter 6: Coenesthesia, Chapter 7: Borders, Chapter 8: Performance, Chapter 9: Loss of Subjecthood, Chapter 10: Returning to the Womb, Chapter 11: The Image of Film Violence, Chapter 12: The Sight of a Corpse, Part III: Unfathomable, Darkness - A Conclusion, Index.

Descriere

Interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora. It addresses the entirety of Zulawski’s filmography and not just his genre films.