Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein: Studies in Print Culture and the History of the Book
Editat de Sabrina Alcorn Baron, Eric N. Lindquist, Eleanor F. Shevlinen Limba Engleză Paperback – 20 iul 2007
Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field.
In addition to a conversation with Elizabeth L. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodriguez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.
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Specificații
ISBN-13: 9781558495937
ISBN-10: 1558495932
Pagini: 464
Dimensiuni: 154 x 236 x 32 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
Seria Studies in Print Culture and the History of the Book
ISBN-10: 1558495932
Pagini: 464
Dimensiuni: 154 x 236 x 32 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
Seria Studies in Print Culture and the History of the Book
Notă biografică
SABRINA ALCORN BARON is a lecturer in history at the University of Maryland, College Park. ERIC N. LINDQUIST is a librarian at the University of Maryland, College Park. ELEANOR F. SHEVLIN is a professor of English at West Chester University.
Cuprins
Acknowledgments
Introduction
Part I. Agents, Agency, and Print in Early Modern Europe
Introduction
1. Errata Lists and the Reader as Corrector
Ann Blair
2. Counterfeit Printing as an Agent of Diff usion and Change: The French Book-Privilege System and Its Contradictions (1498–1790)
Jean-Dominique Mellot
3. On the Threshold: Architecture, Paratext, and Early Print Culture
William H. Sherman
4. Moving Pictures: Foxe’s Martyrs and Little Gidding
Margaret Aston
5. Humphrey Moseley and the Invention of English Literature
David Scott Kastan
6. “On the Behalf of the Printers”: A Late Stuart Printer-Author and Her Causes
Paula McDowell
7. Fixity versus Flexibility in “A Song on Tom of Danby” and Dryden’s Absalom and Achitophel
Harold Love
Part II. Exchange, Agency, and Adaptation in the Cosmopolitan World of Print
Introduction
8. Reinventing Gutenberg: Woodblock and Movable-Type Printing in Europe and China
Kai-wing Chow
9. Scotland: International Politics, International Press
Arthur Williamson
10. Change and the Printing Press in Sixteenth-Century Spanish America
Antonio Rodríguez-Buckingham
11. The Southern Printer as Agent of Change in the American Revolution
Calhoun Winton
12. The Printing Press and Change in the Arab World
Geoffrey Roper
13. Print and the Emergence of Multiple Publics in Nineteenth-Century Punjab
Vivek Bhandari
14. “ Ki ngā pito e whā o te ao nei” (To the four corners of this world): Maori Publishing and Writing for Nineteenth-Century Maori-Language Newspapers
Jane McRae
Part III. Agency, Technology, and the New Global Media Revolution
Introduction
15. “Little Jobs”: Broadsides and the Printing Revolution
Peter Stallybrass
16. What Difference Does Colonialism Make?: Reassessing Print and Social Change in an Age of Global Imperialism
Tony Ballantyne
17. The Laser Printer as an Agent of Change: Fixity and Fluxion in the Digital Age
Barbara A. Brannon
18. The Cultural Consequences of Printing and the Internet
James A. Dewar and Peng Hwa Ang
19. Seeing the World in Print
Robert A. Gross
20. The Printing Revolution: A Reappraisal
Roger Chartier
A Conversation with Elizabeth L. Eisenstein
Baron, Lindquist, and Shevlin
Appendix A: Publications by Elizabeth L. Eisenstein
Appendix B: Reviews of The Printing Press as an Agent of Change
Notes on Contributors
Index
Introduction
Part I. Agents, Agency, and Print in Early Modern Europe
Introduction
1. Errata Lists and the Reader as Corrector
Ann Blair
2. Counterfeit Printing as an Agent of Diff usion and Change: The French Book-Privilege System and Its Contradictions (1498–1790)
Jean-Dominique Mellot
3. On the Threshold: Architecture, Paratext, and Early Print Culture
William H. Sherman
4. Moving Pictures: Foxe’s Martyrs and Little Gidding
Margaret Aston
5. Humphrey Moseley and the Invention of English Literature
David Scott Kastan
6. “On the Behalf of the Printers”: A Late Stuart Printer-Author and Her Causes
Paula McDowell
7. Fixity versus Flexibility in “A Song on Tom of Danby” and Dryden’s Absalom and Achitophel
Harold Love
Part II. Exchange, Agency, and Adaptation in the Cosmopolitan World of Print
Introduction
8. Reinventing Gutenberg: Woodblock and Movable-Type Printing in Europe and China
Kai-wing Chow
9. Scotland: International Politics, International Press
Arthur Williamson
10. Change and the Printing Press in Sixteenth-Century Spanish America
Antonio Rodríguez-Buckingham
11. The Southern Printer as Agent of Change in the American Revolution
Calhoun Winton
12. The Printing Press and Change in the Arab World
Geoffrey Roper
13. Print and the Emergence of Multiple Publics in Nineteenth-Century Punjab
Vivek Bhandari
14. “ Ki ngā pito e whā o te ao nei” (To the four corners of this world): Maori Publishing and Writing for Nineteenth-Century Maori-Language Newspapers
Jane McRae
Part III. Agency, Technology, and the New Global Media Revolution
Introduction
15. “Little Jobs”: Broadsides and the Printing Revolution
Peter Stallybrass
16. What Difference Does Colonialism Make?: Reassessing Print and Social Change in an Age of Global Imperialism
Tony Ballantyne
17. The Laser Printer as an Agent of Change: Fixity and Fluxion in the Digital Age
Barbara A. Brannon
18. The Cultural Consequences of Printing and the Internet
James A. Dewar and Peng Hwa Ang
19. Seeing the World in Print
Robert A. Gross
20. The Printing Revolution: A Reappraisal
Roger Chartier
A Conversation with Elizabeth L. Eisenstein
Baron, Lindquist, and Shevlin
Appendix A: Publications by Elizabeth L. Eisenstein
Appendix B: Reviews of The Printing Press as an Agent of Change
Notes on Contributors
Index
Recenzii
“Eisenstein's impact is undeniable and the editors of the present volume have gathered together twenty essays by scholars form a range of disciplines which collectively illustrate the kind of breadth and depth that has been achieved in this field in the last three decades.”—Technology and Culture
“Just as Eisenstein's giant book is a manse with many rooms, many spaces into which one may project oneself intellectually, so too this stimulating collection, in its varied and sundry parts, will serve as an excellent resource for a variety of pedagogical uses in literature and history seminars where its essays can be placed into dialog with others.”—H-Net Reviews
“It reads like an intellectual labor of love. Contributors and editors stay on task consistently and admirably. . . . There are treasures throughout. . . .”—Winterthur Portfolio
“This absorbing and densely packed volume is the best possible tribute to the impact of Einstein's seminal study of early modern print culture. . . . Beautifully conceived as well as a superbly executed project.”—The Sixteenth Century Journal
“There is no question that Elizabeth Eisenstein deserves a book like this. The contributors all testify to her seminal influence on the field of book history, and their essays are exceptionally well crafted and intriguing.”—Jonathan E. Rose, Drew University
“This collection of essays is one of the most important of its kind. The contributions are consistently of very high quality and exhibit a range that is wonderfully engaging. . . . Agent of Change would make a terrific reader for a graduate seminar in book history.”—Michael F. Suarez, SJ, Fordham University and Campion Hall, Oxford
“Just as Eisenstein's giant book is a manse with many rooms, many spaces into which one may project oneself intellectually, so too this stimulating collection, in its varied and sundry parts, will serve as an excellent resource for a variety of pedagogical uses in literature and history seminars where its essays can be placed into dialog with others.”—H-Net Reviews
“It reads like an intellectual labor of love. Contributors and editors stay on task consistently and admirably. . . . There are treasures throughout. . . .”—Winterthur Portfolio
“This absorbing and densely packed volume is the best possible tribute to the impact of Einstein's seminal study of early modern print culture. . . . Beautifully conceived as well as a superbly executed project.”—The Sixteenth Century Journal
“There is no question that Elizabeth Eisenstein deserves a book like this. The contributors all testify to her seminal influence on the field of book history, and their essays are exceptionally well crafted and intriguing.”—Jonathan E. Rose, Drew University
“This collection of essays is one of the most important of its kind. The contributions are consistently of very high quality and exhibit a range that is wonderfully engaging. . . . Agent of Change would make a terrific reader for a graduate seminar in book history.”—Michael F. Suarez, SJ, Fordham University and Campion Hall, Oxford