Acting Chekhov: A Practical Guide to the Major Plays
Autor Bruce Katzmanen Limba Engleză Paperback – 7 aug 2027
Inspired by the pioneering work of iconic American acting teacher Earle Gister, this book offers a way in to Chekhov's major plays for actors.
Structured in two parts, Part One gives an overview of acting techniques to successfully bring Chekhov's characters to life. Part Two is an examination of 14 of Chekhov's most popular two-hander scenes. The scene itself is reproduced, followed by a dialogue with a pair of professional actors and the author discussing the material, and supported by online video content.
Overall, the book provides a fresh look at acting techniques that can be used to mine Chekhov's plays and characters for meaning and help you achieve compelling performances. At the same time, it establishes a foundation for analysing and acting in other dramatic texts, setting out a selection of techniques, complete with active examples, exhaustive scene analyses and first-generation insights from Earle Gister's methodologies.
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Specificații
ISBN-13: 9781350559790
ISBN-10: 1350559792
Pagini: 240
Dimensiuni: 189 x 246 x 28 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350559792
Pagini: 240
Dimensiuni: 189 x 246 x 28 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Cuprins
Dedication
Epigraphs and/or quotations
Table of Contents
Thanks and Acknowledgements to
Foreword
Preface
How to Use this Book
Introduction
A series of questions
The Webinars
Why these fourteen scenes?
From Webinar to Written Word
The Dialogue Format
PART 1
Chapter 1
An Approach to Acting
1.1 Playtime!
1.2 Techniques for Acting
An Outline for Working
Monologues and Soliloquies
Speaking In First Person
1.3 Going Deeper
Hard Facts, Soft Facts, Circumstantial Evidence, And Opinions
Is it Likely or Unlikely?
More on Objectives
More about Actions
The Nice and the Nasty
The How of an Action
Indirect Action
Binary Choices, Opposites And The Spinning Top
Reverse-Engineering the Text and Personalizing the Imagery
Other "for examples" of imagery in the text that needs personalizing:
Playing Actions as a tennis match
Scoring Points On The Audience; Acting is a Team Sport!
Activities
Being in Your Head
1.4 Script Analysis and Script Interpretation
Chapter 2
Approaching Chekhov's Plays
Past Is Prologue!
The Trap Of Passivity
How does Chekhov want us to feel?
Are Characters The Mouthpiece For Chekhov's Philosophy?
Subtext
The Nature Of Love
The Chekhovian Pause, Ellipses, And Family Rhythms
About Stage Directions
Discrepancies/ Inconsistencies/ Contradictions
Russian Names
The Russian Estate And Serf Economics
Using Maps and Museums
On Translations and Adaptations
PART 2
THE BREAKDOWNS
Wait, Which Play Was That?
CHAPTER 3 The Seagull
3.1 Introduction to The Seagull
3.2 Masha and Medvedenko, Act 1
3.3 Arkadina and Treplev, Act 3
3.4 Arkadina and Trigorin, Act 3
3.5 A Word About Nina
CHAPTER 4 Uncle Vanya
4.1 Introduction to Uncle Vanya
4.2 Sonya and Astrov, Act 2
4.3 Sonya and Yelena, Act 2.
4.4 Sonya and Yelena, Act. 3
4.5 Astrov and Yelena, Act 4
CHAPTER 5 Three Sisters
5.1 Introduction to Three Sisters
5.2 Natasha and Andrei, Act 2
5.3 Masha and Vershinin, Act 2
5.4 The Masha-Vershinin Exercise
5.5 Olga, Masha and Irina, Act 3
5.6 Tuzenbach and Irina, Act 4
5.7 Timeline of Three Sisters
CHAPTER 6 The Cherry Orchard
6.1 Introduction to The Cherry Orchard
6.2 Anya and Varya, Act 1
6.3 Anya and Trofimov, Act 2
6.4 Trofimov and Lopakhin, Act 4
REAR MATTER
Appendix A- About Earle Gister
Appendix B- The Casts-Participating Actors in the Secrets of Chekhov Webinars
Appendix C- Bibliography and Recommended Reading
Appendix D- Glossary
Appendix E- Index
Author Bio
Epigraphs and/or quotations
Table of Contents
Thanks and Acknowledgements to
Foreword
Preface
How to Use this Book
Introduction
A series of questions
The Webinars
Why these fourteen scenes?
From Webinar to Written Word
The Dialogue Format
PART 1
Chapter 1
An Approach to Acting
1.1 Playtime!
1.2 Techniques for Acting
An Outline for Working
Monologues and Soliloquies
Speaking In First Person
1.3 Going Deeper
Hard Facts, Soft Facts, Circumstantial Evidence, And Opinions
Is it Likely or Unlikely?
More on Objectives
More about Actions
The Nice and the Nasty
The How of an Action
Indirect Action
Binary Choices, Opposites And The Spinning Top
Reverse-Engineering the Text and Personalizing the Imagery
Other "for examples" of imagery in the text that needs personalizing:
Playing Actions as a tennis match
Scoring Points On The Audience; Acting is a Team Sport!
Activities
Being in Your Head
1.4 Script Analysis and Script Interpretation
Chapter 2
Approaching Chekhov's Plays
Past Is Prologue!
The Trap Of Passivity
How does Chekhov want us to feel?
Are Characters The Mouthpiece For Chekhov's Philosophy?
Subtext
The Nature Of Love
The Chekhovian Pause, Ellipses, And Family Rhythms
About Stage Directions
Discrepancies/ Inconsistencies/ Contradictions
Russian Names
The Russian Estate And Serf Economics
Using Maps and Museums
On Translations and Adaptations
PART 2
THE BREAKDOWNS
Wait, Which Play Was That?
CHAPTER 3 The Seagull
3.1 Introduction to The Seagull
3.2 Masha and Medvedenko, Act 1
3.3 Arkadina and Treplev, Act 3
3.4 Arkadina and Trigorin, Act 3
3.5 A Word About Nina
CHAPTER 4 Uncle Vanya
4.1 Introduction to Uncle Vanya
4.2 Sonya and Astrov, Act 2
4.3 Sonya and Yelena, Act 2.
4.4 Sonya and Yelena, Act. 3
4.5 Astrov and Yelena, Act 4
CHAPTER 5 Three Sisters
5.1 Introduction to Three Sisters
5.2 Natasha and Andrei, Act 2
5.3 Masha and Vershinin, Act 2
5.4 The Masha-Vershinin Exercise
5.5 Olga, Masha and Irina, Act 3
5.6 Tuzenbach and Irina, Act 4
5.7 Timeline of Three Sisters
CHAPTER 6 The Cherry Orchard
6.1 Introduction to The Cherry Orchard
6.2 Anya and Varya, Act 1
6.3 Anya and Trofimov, Act 2
6.4 Trofimov and Lopakhin, Act 4
REAR MATTER
Appendix A- About Earle Gister
Appendix B- The Casts-Participating Actors in the Secrets of Chekhov Webinars
Appendix C- Bibliography and Recommended Reading
Appendix D- Glossary
Appendix E- Index
Author Bio