A Wolf in Snakeskin Shoes: Modern Plays
Autor Marcus Gardleyen Limba Engleză Paperback – 14 oct 2015
Given just days to live, multi-millionaire Archibald Organdy rejects costly experimental treatment and opts to face his end surrounded by his loving family. However, things could be about to change.
Arriving in Atlanta the flamboyant Archbishop Tardimus Toof, a prophet, preacher and part-time masseur promises to absolve Archibald's sins and heal his disease. But his family suspects there's more to this healer than faith, virtue and snakeskin shoes.
This programme text was published to coincides with the world premiere at the Tricycle Theatre, London, which opened on 8 October 2015.
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Specificații
ISBN-13: 9781474280891
ISBN-10: 1474280897
Pagini: 96
Dimensiuni: 128 x 196 x 8 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474280897
Pagini: 96
Dimensiuni: 128 x 196 x 8 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
This play has so much going for it.
Gardley's modern take on Moliere contains moments of real dazzle . . . There are big laughs here
bags of energy and linguistic brio
the story achieves the balance of farcical madness and narrative logic found in a good Moliere production.
Garley's script is largely written in sparkling verse, combining deep south African-American intonations with comic internal rhymes; it's technically impressive
Gardley writes with tremendous verve, producing witty, whyming swashbuckling monologues . . . There's an energy and zing to the play
The knockout orations sizzle.
a hoot . . . Gardley's text is written in a lively and highly coloured verse whose rhymes are both comic and serve to underline its sparkling ideas. With some big themes of religious healing, curing gays, exploring roots, and the relationship between men and women, this is a spirited satire whose cartoon characters occasionally reveal unexpected depths. . . . Politically incorrect, often humorous, occasionally moving, this is a superior adaptation that proves that American playwriting is alive and well.
Gardley's modern take on Moliere contains moments of real dazzle . . . There are big laughs here
bags of energy and linguistic brio
the story achieves the balance of farcical madness and narrative logic found in a good Moliere production.
Garley's script is largely written in sparkling verse, combining deep south African-American intonations with comic internal rhymes; it's technically impressive
Gardley writes with tremendous verve, producing witty, whyming swashbuckling monologues . . . There's an energy and zing to the play
The knockout orations sizzle.
a hoot . . . Gardley's text is written in a lively and highly coloured verse whose rhymes are both comic and serve to underline its sparkling ideas. With some big themes of religious healing, curing gays, exploring roots, and the relationship between men and women, this is a spirited satire whose cartoon characters occasionally reveal unexpected depths. . . . Politically incorrect, often humorous, occasionally moving, this is a superior adaptation that proves that American playwriting is alive and well.