A Publisher's Paradise: Expatriate Literary Culture in Paris, 1890-1960: Studies in Print Culture and the History of the Book
Autor Colette Colliganen Limba Engleză Paperback – 5 dec 2013
A Publisher's Paradise explores the political and literary dynamics that gave rise to this expatriate cultural flourishing, which included everything from Victorian pornography to the most daring and controversial modernist classics. Colette Colligan tracks the British and French politicians and diplomats who policed Paris editions of banned books and uncovers offshore networks of publishers, booksellers, authors, and readers. She looks closely at the stories the “dirty books” told about this publishing haven and the smut peddlers and literary giants it brought together in transnational cultural formations. The book profiles an eclectic group of expatriates living and publishing in Paris, from relatively obscure figures such as Charles Carrington, whose list included both The Picture of Dorian Gray and the pornographic novel Randiana, to bookshop owner Sylvia Beach, famous for publishing James Joyce's Ulysses in 1922.
A Publisher's Paradise is a compelling exploration of the little-known history of foreign pornography in Paris and the central role it played in turning the city into a modernist outpost for literary and sexual vanguardism, a reputation that still lingers today in our cultural myths of midnight in Paris.
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Specificații
ISBN-13: 9781625340382
ISBN-10: 1625340389
Pagini: 376
Ilustrații: 24 b&w illus.
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.51 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
Seria Studies in Print Culture and the History of the Book
ISBN-10: 1625340389
Pagini: 376
Ilustrații: 24 b&w illus.
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.51 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
Seria Studies in Print Culture and the History of the Book
Notă biografică
COLETTE COLLIGAN is associate professor of English at Simon Fraser University and author of The Traffic in Obscenity from Byron to Beardsley: Sexuality and Exoticism in Nineteenth-Century Print Culture.
Cuprins
Acknowledgments
Introduction
Part I. Politics
1. British Cultural Policy and the Rise of Paris Editions, 1890–1914
2. British Censorship, French Liberalism, and Paris Editions, 1918–1960
Part II. Publishing
3. Charles Carrington, 1867–1921
4. Charles Carrington’s Books from Abroad, circa 1895–1921
5. Paris Editions from Charles Hirsch to Maurice Girodias, circa 1900–1960
Part III. Pornography
6. Suburban Souls and the Literary Family, Paris circa 1900
7. Teleny, the 1890s, and Charles Hirsch’s “Notice bibliographique,” 1934
8. Lolita, Her Russian American Author, and His Paris Publisher, 1939–1967
Notes
Index
Introduction
Part I. Politics
1. British Cultural Policy and the Rise of Paris Editions, 1890–1914
2. British Censorship, French Liberalism, and Paris Editions, 1918–1960
Part II. Publishing
3. Charles Carrington, 1867–1921
4. Charles Carrington’s Books from Abroad, circa 1895–1921
5. Paris Editions from Charles Hirsch to Maurice Girodias, circa 1900–1960
Part III. Pornography
6. Suburban Souls and the Literary Family, Paris circa 1900
7. Teleny, the 1890s, and Charles Hirsch’s “Notice bibliographique,” 1934
8. Lolita, Her Russian American Author, and His Paris Publisher, 1939–1967
Notes
Index
Recenzii
“I never realized how much I owe to the long dead porno kings of Paris. It wasn't so much pinstriped publishers in New York or London or their well-compensated lawyers that secured for us the freedom to read. A good deal of the credit goes to seedy characters in English-speaking corners of Paris in the late 19th and early and mid-20th centuries. . . . Anyone interested in the history of publishing, books in general, and the fight for freedom of expression should read this book.”—Medium
“Consistent with the research methods of historical materialist Walter Benjamin, Colligan's 'retrieval' of the past draws on the kind of data that can easily be lost from view: anonymous texts, incomplete records, underexposed literary artefacts, unfrequented archival files. Judiciously speculative, analytically rich, and never dull, her study inveigles the reader into areas of the once-banned literary output that put Paris in the vanguard of press freedoms eventually widely espoused by the United Kingdom and the United States. . . . A major addition to extant literature on publishing history and France's seminal role in supporting controversial and marginal literary works from abroad.”—French Studies
“These days the forbidden is so accessible and so profitable and the avant-garde so commercialized that they go together like anything else online or at the mall. A century ago, forbidden meant forbidden. . . . [In A Publisher's Paradise Colligan exposes] links visible in retrospect.”—Essays in Criticism
“[A] fascinating read. . . . Colligan's careful research into the business behind these 'sex books' complicates any simple understanding of taste or of the ways national borders defined the business of literature in the late nineteenth and early twentieth centuries.”—SHARP News
“With creative researching techniques, wit, and skill, Colligan brings to life the little known, understudied world of booklegging and book laundering, based in the French capital, but central to the development of Anglo-American modernist writing at large. A Publisher's Paradise makes a significant scholarly contribution by taking 'dirty books' seriously and showing their significance to larger political and cultural conflicts, and by connecting dots that others have not connected.”—Brooke Blower, author of Becoming Americans in Paris: Transatlantic Politics and Culture between the World Wars
“Consistent with the research methods of historical materialist Walter Benjamin, Colligan's 'retrieval' of the past draws on the kind of data that can easily be lost from view: anonymous texts, incomplete records, underexposed literary artefacts, unfrequented archival files. Judiciously speculative, analytically rich, and never dull, her study inveigles the reader into areas of the once-banned literary output that put Paris in the vanguard of press freedoms eventually widely espoused by the United Kingdom and the United States. . . . A major addition to extant literature on publishing history and France's seminal role in supporting controversial and marginal literary works from abroad.”—French Studies
“These days the forbidden is so accessible and so profitable and the avant-garde so commercialized that they go together like anything else online or at the mall. A century ago, forbidden meant forbidden. . . . [In A Publisher's Paradise Colligan exposes] links visible in retrospect.”—Essays in Criticism
“[A] fascinating read. . . . Colligan's careful research into the business behind these 'sex books' complicates any simple understanding of taste or of the ways national borders defined the business of literature in the late nineteenth and early twentieth centuries.”—SHARP News
“With creative researching techniques, wit, and skill, Colligan brings to life the little known, understudied world of booklegging and book laundering, based in the French capital, but central to the development of Anglo-American modernist writing at large. A Publisher's Paradise makes a significant scholarly contribution by taking 'dirty books' seriously and showing their significance to larger political and cultural conflicts, and by connecting dots that others have not connected.”—Brooke Blower, author of Becoming Americans in Paris: Transatlantic Politics and Culture between the World Wars