Cantitate/Preț
Produs
Total produse
Vezi coșul
A Programme of Absolute Disorder: Decolonizing the Museum de Françoise Vergès

A Programme of Absolute Disorder: Decolonizing the Museum

Autor Françoise Vergès Cuvânt înainte de Paul Gilroy Traducere de Melissa Thackway
en Limba Engleză Paperback – 20 oct 2026
'A complete overhaul of the Western museum tradition' - Publishers Weekly
In A Programme of Absolute Disorder, Françoise Vergès strips away the veneer of the universal Western museum to reveal its origins as the foundation of liberal ideology.
By exploring the history of the Louvre, and following the radical tradition of Frantz Fanon, she argues that the modern institution cannot just be fixed with a more diverse board or by finding new ways to display the art.
Instead, she demands a 'post-museum': a space that rejects the financialization of art, acknowledges the bloody history of its collections, and prioritizes the labor and dignity of those who clean, guard, and inhabit its halls.
Citește tot Restrânge

Preț: 15408 lei

Precomandă

Puncte Express: 231
Paperback 15408 lei
Hardback 14362 lei

Carte nepublicată încă

Livrare prin curier în România Precomanda se expediază când titlul devine disponibil.
Transport gratuit de la 40000 lei Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.
 Precomandă

Wish list
Gift list
Am citit!
Adaugă în listă
Doresc să fiu notificat când acest titlu va fi disponibil:
Trimite

Specificații

ISBN-13: 9780745352619
ISBN-10: 0745352618
Pagini: 224
Ilustrații: 6 Black & white photographs
Dimensiuni: 130 x 198 mm
Greutate: 0.45 kg
Editura: PLUTO PRESS
Colecția Pluto Press

Recenzii

'Proposes a root-and-branch decolonisation of the institution of the museum' - The Bookseller
'The post-museum era has come. Museums without objects, museums of the present, living museums, museums of oral speech, museums of the great disorders of the world... There is no shortage of ideas for those who still know how to dream' - Hors-Serie
'A brilliant book on how to order the disorder of colonized spaces while finding new pathways to discuss what it means to question rage and embrace new narratives on the once invisible structures of museums. Françoise Vergès skillfully writes a manifesto of sorts that shifts the paradigm and re-imagines a world as if there was no West with a curious wit, fearless irony, and a clear sense of underpinning hope.' - Deborah Willis, artist, New York University
'A complete overhaul of the Western museum tradition' - Publishers Weekly
'A thought-provoking demonstration that should fascinate anyone interested in social justice, post-colonialism and the arts' - Euronews
'An impressive critique of the universal museum as complicit in the ongoing damages inflicted by colonial power structures. Françoise Vergès gives us the tools to harness our imagination in order to build new art institutions for a different future.' - Isaac Julien, filmmaker and installation artist
'Enacting the decolonial task to imagine and practice a post museum, Vergès also enacts the gargantuan task of a post-historical, post-epistemic archive. This obliges the absolute disorder of the structures of thought and feeling that sustain the impossibility of history and knowledge unoccupied by the modern archive. Showing it should be done, Vergès offers creative joyful relentlessness towards decolonial worlds.' - Marisol de la Cadena, Professor of Anthropology, Science & Technology Studies, University of California, Davis
'One of the greatest thinkers of our time, surprises us again with a brilliant work on decolonising the museum. Françoise Vergès demonstrates how insidiously the museum contemplates a colonial order, and offers an intelligent, critical and vivid new approach. A Programme of Absolute Disorder is a masterpiece required reading' - Grada Kilomba, interdisciplinary artist and writer
'Vergès offers, in the wake of Frantz Fanon, a powerful reflection … The Western museum is a tool of domination which must be deconstructed in a post-racist and post-capitalist world. Powerful and so relevant' - Diacritik

Notă biografică

Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence, and A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Center for the Study of Racism and Racialization, University College London. She lives in Paris.
 
Paul Gilroy is a renowned sociologist, historian, and cultural theorist recognized for his pioneering work on race, Black diaspora, and postcolonial culture. He is the author of The Black Atlantic, amongst other classics.
 
Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg, and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.

Cuprins

Preface 
Introduction 
1. A Programme of Absolute Disorder 
2. The Museum: A Battlefield 
3. The Louvre, Napoleon, Capture, the Slave 
4. Black is the model, white the frame 
5. A Museum without Objects 
Epilogue: Decolonial Tactics Notes