A Creative Approach to Music Interpretation
Autor Lasse Laursen, Søren Rastogi, Henrik Knarborgen Limba Engleză Paperback – 24 mar 2027
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Specificații
ISBN-13: 9781041302704
ISBN-10: 1041302703
Pagini: 128
Ilustrații: 124
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1041302703
Pagini: 128
Ilustrații: 124
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate, Professional Practice & Development, and Undergraduate AdvancedCuprins
Preface
Introduction
PART 1: Context & Perspectives
1. Interpretation as a Field
1.1 Interpretation as Realisation
1.2 Interpretation as Process
1.3 Knowing What Comes Next
1.4 Interpretation and Technique
1.5 What Makes One Interpretation Different from Another?
1.6 The Visibility of Interpretation
Questions
2. Learning Interpretation
2.1 Originality Nobody Asked For?
2.2 Norms and Exceptions
2.3 Music Academies as Gatekeepers
Questions
3. Interpretation and Tradition
3.1 Werktreue and the Modern Performer
3.2 Definitely Different
3.3 When Werktreue Became Style
3.4 HIP: Returning to the Past
3.5 Critiquing HIP
3.6 When HIP Entered the Orchestra
3.7 Composer-Related Interpretation
Questions
4. Recording as Interpretation
4.1 Recording Changes Interpretation
4.2 Recording Becomes Aesthetic
Questions
5. Interpretation and the Musician
5.1 Motivation
5.2 Positions
Questions
6. Notation and interpretation
6.1 What Must Be Interpreted in a Score
6.2 Reading Scores in Context
6.3 Scores, Sources and Editions
6.4 Written Interpretation
Questions
7. Interpretation and Analysis
7.1 Analysis as a Tool for Interpretation
7.2 Purposes of Analysis
7.3 Performance Analysis
Questions
8. Interpretation in Concert
8.1 The Concert as Script
8.2 The Framed Concert
8.3 Listening with the Eyes
Questions
9. Working with Composers on Premieres
9.1 Communication
9.2 Expertise & Authority
9.3 Artistic Values
9.4 Commitment
Questions
PART 2: Explorations
10. Imagining the Sound
11. Listening
Changing the Listening Situation
12. Bodily Knowledge
When the Body Already Knows
Exploring Interpretation Through the Body
The Body Behind the Sound
13. Analysis: Structure and Curiosity
Structural Interpretation
Analysis as Dialogue
14. Imitating
15. Phrasings
Brahms × Six
16. Interpretation Through a Narrative
Brahms & Gatsby
17. Performing the Performer
Framing the Performer
Normal Is Also a Choice
The Classical Musician as a Figure
Internal Orientation
18. Bodily Presence
Attention Made Visible
19. Situation
Five Examples
20. Ensemble
Creation before Decision
Playing Together, Thinking Differently
Timing and Togetherness
Three Examples of Playing Differently Together
21. Commission a Piece
22. Action Cards
Recommended further readings
References
About the Authors
Introduction
PART 1: Context & Perspectives
1. Interpretation as a Field
1.1 Interpretation as Realisation
1.2 Interpretation as Process
1.3 Knowing What Comes Next
1.4 Interpretation and Technique
1.5 What Makes One Interpretation Different from Another?
1.6 The Visibility of Interpretation
Questions
2. Learning Interpretation
2.1 Originality Nobody Asked For?
2.2 Norms and Exceptions
2.3 Music Academies as Gatekeepers
Questions
3. Interpretation and Tradition
3.1 Werktreue and the Modern Performer
3.2 Definitely Different
3.3 When Werktreue Became Style
3.4 HIP: Returning to the Past
3.5 Critiquing HIP
3.6 When HIP Entered the Orchestra
3.7 Composer-Related Interpretation
Questions
4. Recording as Interpretation
4.1 Recording Changes Interpretation
4.2 Recording Becomes Aesthetic
Questions
5. Interpretation and the Musician
5.1 Motivation
5.2 Positions
Questions
6. Notation and interpretation
6.1 What Must Be Interpreted in a Score
6.2 Reading Scores in Context
6.3 Scores, Sources and Editions
6.4 Written Interpretation
Questions
7. Interpretation and Analysis
7.1 Analysis as a Tool for Interpretation
7.2 Purposes of Analysis
7.3 Performance Analysis
Questions
8. Interpretation in Concert
8.1 The Concert as Script
8.2 The Framed Concert
8.3 Listening with the Eyes
Questions
9. Working with Composers on Premieres
9.1 Communication
9.2 Expertise & Authority
9.3 Artistic Values
9.4 Commitment
Questions
PART 2: Explorations
10. Imagining the Sound
11. Listening
Changing the Listening Situation
12. Bodily Knowledge
When the Body Already Knows
Exploring Interpretation Through the Body
The Body Behind the Sound
13. Analysis: Structure and Curiosity
Structural Interpretation
Analysis as Dialogue
14. Imitating
15. Phrasings
Brahms × Six
16. Interpretation Through a Narrative
Brahms & Gatsby
17. Performing the Performer
Framing the Performer
Normal Is Also a Choice
The Classical Musician as a Figure
Internal Orientation
18. Bodily Presence
Attention Made Visible
19. Situation
Five Examples
20. Ensemble
Creation before Decision
Playing Together, Thinking Differently
Timing and Togetherness
Three Examples of Playing Differently Together
21. Commission a Piece
22. Action Cards
Recommended further readings
References
About the Authors
Notă biografică
Lasse Laursen is an associate professor of music theory at the Royal Academy of Music, Aarhus.
Søren Rastogi is associate professor at the Royal Academy of Music, Aarhus, and at the Royal Danish Academy of Music.
Henrik Knarborg is Head of Percussion at the Royal Academy of Music, Aarhus.
Søren Rastogi is associate professor at the Royal Academy of Music, Aarhus, and at the Royal Danish Academy of Music.
Henrik Knarborg is Head of Percussion at the Royal Academy of Music, Aarhus.
Descriere
A Creative Approach to Music Interpretation seeks to establish interpretation as a core, explicit component of the classical music curriculum. This book introduces readers to definitions, traditions, and value systems related to interpretation, alongside practical approaches for engaging with it.