20th Century Ghosts: Featuring The Black Phone and other stories
Autor Joe Hillen Limba Engleză Paperback – 9 oct 2008
Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected...but it rings at night, anyway, with calls from the dead...
Meet these and a dozen more, in 20TH CENTURY GHOSTS, irresistible, addictive fun showcasing a dazzling new talent.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (3) | 55.37 lei 3-5 săpt. | +33.13 lei 7-13 zile |
| Headline – 9 oct 2008 | 55.37 lei 3-5 săpt. | +33.13 lei 7-13 zile |
| HarperCollins Publishers – 15 sep 2008 | 97.64 lei 3-5 săpt. | |
| Harpercollins – 19 aug 2025 | 105.95 lei 3-5 săpt. |
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Specificații
ISBN-13: 9780575083080
ISBN-10: 0575083085
Pagini: 400
Dimensiuni: 128 x 198 x 30 mm
Greutate: 0.28 kg
Editura: Headline
Colecția Headline
Locul publicării:London, United Kingdom
ISBN-10: 0575083085
Pagini: 400
Dimensiuni: 128 x 198 x 30 mm
Greutate: 0.28 kg
Editura: Headline
Colecția Headline
Locul publicării:London, United Kingdom
Recenzii
Each of these chilling tales arrests you from the opening sentence and leads you - trustingly, thanks to the simple mastery of the story-teller - into a place of gulping fear.
[An] inventive collection . . . brave and astute.
Hill's best stories veer away from the well-trodden creep shows and back alleys of genre writing into more dangerous territory: suburban basements, ball fields and schoolyards.
Hill's stories are visceral and nasty in places, but never gratuitous. The collection as a whole is polished and well written. Even the most macabre themes are handled exceptionally well, so one story ever feels exploitative or trashy. Joe Hill is definitely one to watch.
Fully developed characters with complex emotional lives enhance the 14 stories in Joe Hill's extraordinary collection ... There's not a false note or disappointing effort in this volume.
The collection of short stories ranges from creepy to sweet, with an impressive arsenal of tactics to attack your psyche.
[Hill] displays consummate skill in a variety of genres . . . Amusing, moving, horrifying-Ghosts runs the full spectrum.
Alternately sad, scary, strange and at times even sweet, these tales will haunt you long after you've read them.
One of the best [horror] collections of the year. Hill is a relative newcomer who consistently creates creepy, very disturbing stories
The selections range from the mundane to the surreal, with a strong emphasis on the kind of horror tale perfected by Ray Bradbury, Peter Straub and Stephen King.
[An] inventive collection . . . brave and astute.
Hill's best stories veer away from the well-trodden creep shows and back alleys of genre writing into more dangerous territory: suburban basements, ball fields and schoolyards.
Hill's stories are visceral and nasty in places, but never gratuitous. The collection as a whole is polished and well written. Even the most macabre themes are handled exceptionally well, so one story ever feels exploitative or trashy. Joe Hill is definitely one to watch.
Fully developed characters with complex emotional lives enhance the 14 stories in Joe Hill's extraordinary collection ... There's not a false note or disappointing effort in this volume.
The collection of short stories ranges from creepy to sweet, with an impressive arsenal of tactics to attack your psyche.
[Hill] displays consummate skill in a variety of genres . . . Amusing, moving, horrifying-Ghosts runs the full spectrum.
Alternately sad, scary, strange and at times even sweet, these tales will haunt you long after you've read them.
One of the best [horror] collections of the year. Hill is a relative newcomer who consistently creates creepy, very disturbing stories
The selections range from the mundane to the surreal, with a strong emphasis on the kind of horror tale perfected by Ray Bradbury, Peter Straub and Stephen King.
Textul de pe ultima copertă
Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . .
Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . .
John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . .
Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . .
The past isn't dead. It isn't even past. . . .
Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . .
John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . .
Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . .
The past isn't dead. It isn't even past. . . .
Notă biografică
Joe Hill is the #1 New York Times bestselling author of the novels The Fireman, NOS4A2, Horns, and Heart-Shaped Box; Strange Weather, a collection of novellas; and the acclaimed story collections Full Throttle and 20th Century Ghosts. He is also the Eisner Award?winning writer of a seven-volume comic book series, Locke & Key. Much of his work has been adapted for film and TV, including NOS4A2 (AMC), Locke & Key (Netflix), and In the Tall Grass (Netflix).