Cantitate/Preț
Produs
Total produse
Vezi coșul
Writings, 1922-1934: Sergei Eisenstein Selected Works, Volume 1 de Sergei Eisenstein

Writings, 1922-1934: Sergei Eisenstein Selected Works, Volume 1

Autor Sergei Eisenstein
en Limba Engleză Paperback – 22 iun 2010
I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein's great silent masterpieces, 'The Strike', 'The Battleship Potemkin', 'October' and 'The General Line', and of his controversial sojourns in Hollywood and Mexico.
Citește tot Restrânge

Preț: 18752 lei

Puncte Express: 281
Preț estimativ în valută:
3319€ • 3879$ • 2881£

Carte în stoc

Livrare din stoc 09 ianuarie

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781848853553
ISBN-10: 1848853556
Pagini: 344
Ilustrații: 8pp b/w illustrations
Dimensiuni: 152 x 232 x 22 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Cuprins

General Editor's Preface
Introduction
Translator's Note
Abbreviations
1922: 1 Sergei Yutkevich and Eisenstein: The Eighth Art.
On Expressionism, America and, of course, Chaplin. 1923: 2 The Montage of Attractions.
1924: 3 The Montage of Film Attractions. 1925: 4 The Problem of the Materialist Approach to Form.
5 The Method of Making a Workers' Film. 1926: 6 Constanta (Whither 'The Battleship Potemkin').
7 However Odd - Khokhlova! 8 Eisenstein on Eisenstein, the Director of 'Potemkin'.
9 Bela Forgets the Scissors. 10 The Two Skulls of Alexander the Great.
11 The German Cinema. A Traveller's Impressions. 1927: 12 Give Us a State Plan.
1928: 13 Literature and Cinema: Reply to a Questionnaire.
14 What We Are Expecting from the Party Conference on Cinema.
15 Our 'October'. Beyond the Played and the Non-Played. 16 For a Workers' Hit.
17 Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov: Statement on Sound.
18 An Unexpected Juncture. 19 Eisenstein and Grigori Alexandrov: The Twelfth Year.
20 The GTK Teaching and Research Workshop. A Conversation with the Leader of the Workshop, S.M. Eisenstein. 1929: 21 Conversation with Eisenstein on Sound Cinema.
22 The Form of the Script. 23 'The Arsenal' 24 Beyond the Shot. 25 Perspectives.
26 The Dramaturgy of Film Form. 27 The Fourth Dimension in Cinema.
1930: 28 The Principles of the New Russian Cinema.
29 Rin-Tin-Tin Does His Tricks for Noted Russian Movie Man.
30 The Dynamic Square. 1932: 31 Help Yourself? 32 In the Interests of Form.
1933: 33 Throug the Revolution to Art: Through Art to the Revolution.
34 Pantagruel Will be Born. 35 To Your Posts! 36 George Melies's Mistake.
37 An Attack by Class Allies. 38 Cinema and the Classics.
1934: 39 For Elevated Ideological Content, for Film Culture!
40 On Fascism, German Cinema and Real Life. Open Letter to the German Minister of Propaganda, Dr Goebbels.
41 'Eh!' On the Purity of Film Language. 42 At Last!
Notes
Index