Writing against Empire: A Book History of Pan-Africanism in Britain, c.1930-50: Empire’s Other Histories
Autor Jack Bowmanen Limba Engleză Hardback – 8 iun 2026
Assessing various forms of Pan-African writing, from pamphlets and journals to novels and works of anthropology, this book unpacks how different activists 'did' their politics, and what these politics were. Delving into the literary works that supported and maintained British Pan-African activism, Writing Against Empire highlights the central and crucial role of written texts to this movement. Unpicking the links between different thinkers and their works, and analysing how such a wealth of anti-colonial writers could operate within the very core of empire, Bowman gets to the heart of anti-colonial action in 20th-century Britain, and the centrality of print to this struggle.
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Specificații
ISBN-13: 9781350588882
ISBN-10: 1350588881
Pagini: 256
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Empire’s Other Histories
Locul publicării:London, United Kingdom
ISBN-10: 1350588881
Pagini: 256
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Empire’s Other Histories
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. Pan-African Journals: Ras T. Makonnen and Black Self-Sufficiency
2. George Padmore and Pan-African Pamphlets
3. Pan-African Books: The Black Jacobins and the Early Political Thought of C. L. R. James
4. Implicit Pan-African Print: Jomo Kenyatta and Facing Mount Kenya
Epilogue
1. Pan-African Journals: Ras T. Makonnen and Black Self-Sufficiency
2. George Padmore and Pan-African Pamphlets
3. Pan-African Books: The Black Jacobins and the Early Political Thought of C. L. R. James
4. Implicit Pan-African Print: Jomo Kenyatta and Facing Mount Kenya
Epilogue
Recenzii
In this exciting new book, Jack Bowman shows the significance of the printed word to understanding the Pan-Africanist movement in Britain during the 1930s and 1940s. Important activist-intellectuals, including C. L. R. James, Jomo Kenyatta and George Padmore, as well as understudied figures like Ras T. Makonnen, are seen in new light.
Writing against Empire powerfully affirms that printing and publishing are not neutral acts but essential political practices in the struggle against empire. This book speaks directly to a sense of urgency concerning the history and understanding of the criticality and circulation of black print and thoughts of black liberation. Bowman's text locates Black radical print in all its missing chapters, overlooked chronicles, and pamphlets as a site of resistance. Bowman's contribution to this field aligns with the critical work in anti-imperialist scholarship that seeks to make visible the systematic suppression of Black histories.
The resurgence of interest in Pan-Africanism has been at the centre of the rise of black history in Britain. In this lucid and often surprising book Jack Bowman shows us how important the printed word has been to emergence and evolution of Pan-Africanism. The publications of the 1930s and 1940s years, so eloquently interrogated in Writing against Empire, laid the bedrock of radical thought that aimed to set the terms of Africa's decolonisation and its political and cultural implications. Ras T. Makonnen, George Padmore, CLR James, and Jomo Kenyatta all played a prominent part in the consolidation of Pan-Africanist ideas, each contributing to the resonance of Pan-Africanism in such diverse forms as the music of Kendrick Lamar or the Black Panther movie franchise. Bowman shows us that Pan-Africanist writing from the inter-war years remains vitally relevant today, as these foundational Pan-Africanist ideas continue to evolve.
Writing against Empire powerfully affirms that printing and publishing are not neutral acts but essential political practices in the struggle against empire. This book speaks directly to a sense of urgency concerning the history and understanding of the criticality and circulation of black print and thoughts of black liberation. Bowman's text locates Black radical print in all its missing chapters, overlooked chronicles, and pamphlets as a site of resistance. Bowman's contribution to this field aligns with the critical work in anti-imperialist scholarship that seeks to make visible the systematic suppression of Black histories.
The resurgence of interest in Pan-Africanism has been at the centre of the rise of black history in Britain. In this lucid and often surprising book Jack Bowman shows us how important the printed word has been to emergence and evolution of Pan-Africanism. The publications of the 1930s and 1940s years, so eloquently interrogated in Writing against Empire, laid the bedrock of radical thought that aimed to set the terms of Africa's decolonisation and its political and cultural implications. Ras T. Makonnen, George Padmore, CLR James, and Jomo Kenyatta all played a prominent part in the consolidation of Pan-Africanist ideas, each contributing to the resonance of Pan-Africanism in such diverse forms as the music of Kendrick Lamar or the Black Panther movie franchise. Bowman shows us that Pan-Africanist writing from the inter-war years remains vitally relevant today, as these foundational Pan-Africanist ideas continue to evolve.