Wise Blood
en Limba Engleză Hardback – 2011
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Specificații
ISBN-13: 9789042033894
ISBN-10: 9042033894
Pagini: 452
Dimensiuni: 156 x 238 x 38 mm
Greutate: 0.83 kg
Editura: Brill
ISBN-10: 9042033894
Pagini: 452
Dimensiuni: 156 x 238 x 38 mm
Greutate: 0.83 kg
Editura: Brill
Cuprins
Acknowledgements
Abbreviations for O’Connor’s Works
John J. Han: Introduction
Section I: Religious and Philosophical Thought
Debra L. Cumberland: Flannery O’Connor and the Question of the Christian Novel
Jonathan D. Fitzgerald: This Protestant World: Flannery O’Connor’s Portrayal of the Modern Protestant South in Wise Blood
Susan Amper: “I believe, I believe”: The Miracle of Christ in Flannery O’Connor’s Wise Blood
Andrew Peter Atkinson: Virgil If Punched in the Gut: A Defense of Jansenist Interpretations of Wise Blood
Section II: Comedy, Humor, and Animality in Wise Blood
Andrew B. Leiter: Comedy and the Anti-existential in Flannery O’Connor’s Wise Blood
Aaron Hillyer: Becoming Human, Becoming Animal: The Anthropological Machine at Work in Wise Blood
Paul Benedict Grant: O’Connor’s Comic Vision: Faith and Humor in Wise Blood
Section III: Influences on Wise Blood
Jordan Cofer: Flannery & Franz: Tracing the Kafkaesque Influences on O’Connor’s Wise Blood
John J. Han: A Roman Catholic Response to Nihilism and Protestantism: Wise Blood as an Anti-Kafkaesque Novel
Henry T. Edmondson III: Flannery O’Connor and Gerard Manley Hopkins on the Virtues of Blindness and Silence
Section IV: Structural Issues
W. A. Sessions: The Ambiguity of Vocation: Or, What Flannery Meant by “Malgré Lui”
Lewis MacLeod: “Was You Going Anywheres?”: Wandering Between the Modern and Postmodern in Wise Blood
Lylas Dayton Rommel: The Dostoevskian Structure of Flannery O’Connor’s Wise Blood
Section V: Gender, Culture, and Genre
Marshall Bruce Gentry: Wise Women, Wise Blood
Janine Tobeck: No Redeeming Value: The Violence of/toward Realism in Wise Blood
Teresa Clark Caruso: Whores and Heathens: Misogynistic Representations in Wise Blood
Stacey Peebles: He’s Huntin’ Something: Hazel Motes as Ex-Soldier
Sonya Freeman Loftis: Death, Horror, and Darkness: O’Connor’s Gothic Novel on Screen
Mark Schiebe: Car Trouble: Hazel Motes and the Fifties Counterculture
Abstracts of Arguments
About the Authors
Index
Abbreviations for O’Connor’s Works
John J. Han: Introduction
Section I: Religious and Philosophical Thought
Debra L. Cumberland: Flannery O’Connor and the Question of the Christian Novel
Jonathan D. Fitzgerald: This Protestant World: Flannery O’Connor’s Portrayal of the Modern Protestant South in Wise Blood
Susan Amper: “I believe, I believe”: The Miracle of Christ in Flannery O’Connor’s Wise Blood
Andrew Peter Atkinson: Virgil If Punched in the Gut: A Defense of Jansenist Interpretations of Wise Blood
Section II: Comedy, Humor, and Animality in Wise Blood
Andrew B. Leiter: Comedy and the Anti-existential in Flannery O’Connor’s Wise Blood
Aaron Hillyer: Becoming Human, Becoming Animal: The Anthropological Machine at Work in Wise Blood
Paul Benedict Grant: O’Connor’s Comic Vision: Faith and Humor in Wise Blood
Section III: Influences on Wise Blood
Jordan Cofer: Flannery & Franz: Tracing the Kafkaesque Influences on O’Connor’s Wise Blood
John J. Han: A Roman Catholic Response to Nihilism and Protestantism: Wise Blood as an Anti-Kafkaesque Novel
Henry T. Edmondson III: Flannery O’Connor and Gerard Manley Hopkins on the Virtues of Blindness and Silence
Section IV: Structural Issues
W. A. Sessions: The Ambiguity of Vocation: Or, What Flannery Meant by “Malgré Lui”
Lewis MacLeod: “Was You Going Anywheres?”: Wandering Between the Modern and Postmodern in Wise Blood
Lylas Dayton Rommel: The Dostoevskian Structure of Flannery O’Connor’s Wise Blood
Section V: Gender, Culture, and Genre
Marshall Bruce Gentry: Wise Women, Wise Blood
Janine Tobeck: No Redeeming Value: The Violence of/toward Realism in Wise Blood
Teresa Clark Caruso: Whores and Heathens: Misogynistic Representations in Wise Blood
Stacey Peebles: He’s Huntin’ Something: Hazel Motes as Ex-Soldier
Sonya Freeman Loftis: Death, Horror, and Darkness: O’Connor’s Gothic Novel on Screen
Mark Schiebe: Car Trouble: Hazel Motes and the Fifties Counterculture
Abstracts of Arguments
About the Authors
Index