Walter Benjamin's Ark: A Departure in Biography: Comparative Literature and Culture
Autor John Schaden Limba Engleză Hardback – 5 iun 2026
Walter Benjamin’s Ark rereads the life and work of the German philosopher and critic through the life of his estranged son. With this innovative biography, John Schad not only brings to light the intriguing figure that is Stefan Rafael Benjamin, but also identifies him as that most crucial of Benjaminian specters, namely, the secret “you” or addressee of his father’s writings. In the process, he brings Walter Benjamin into a series of unlikely dramatic dialogues with Virginia Woolf, Rosa Luxemburg, Ludwig Wittgenstein, Gertrud Kolmar, Oscar Wilde, Franz Kafka, and Hamlet.
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Specificații
ISBN-13: 9781800089679
ISBN-10: 1800089678
Pagini: 260
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: UCL Press
Colecția UCL Press
Seria Comparative Literature and Culture
ISBN-10: 1800089678
Pagini: 260
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: UCL Press
Colecția UCL Press
Seria Comparative Literature and Culture
Notă biografică
John Schad is professor of modern literature at the University of Lancaster and the author or coauthor of several works of experimental criticism, including Someone Called Derrida, The Late Walter Benjamin, Paris Bride, and (with Fred Dalmasso) Derrida | Benjamin: Two Plays for the Stage.
Cuprins
List of figures
List of abbreviations
Preface
Acknowledgements
Introduction
1 (Unknown)
2 (Unseen)
3 (Unless)
4 (Untold)
5 (Untoward)
Postface
Afterword
Mona Benjamin
List of abbreviations
Preface
Acknowledgements
Introduction
1 (Unknown)
2 (Unseen)
3 (Unless)
4 (Untold)
5 (Untoward)
Postface
Afterword
Mona Benjamin
Recenzii
‘Those readers familiar with Walter Benjamin’s work will enjoy the recognisable current of references woven into John Schad’s book. Others will appreciate the author’s playful use of literary references while being encouraged to discover an important philosopher (Benjamin himself rejected the term) who will make them see our world afresh’
‘“The Angel of History,” philosopher Walter Benjamin claims, is witness not to a “chain of events” but rather “one single catastrophe which keeps piling wreckage … in front of his feet.” No doubt this “pile of debris … [which] grows skyward” consists mainly of human wreckage, the dead; but, as John Schad’s weird and hallucinatory new book, Walter Benjamin’s Ark, demonstrates, it also includes language, texts, the very ability of human beings to communicate. The catastrophe that is mid-twentieth-century history, in particular, reduced texts to a “huge-and-disorderly-heap-of-unsorted BOOKS, a kind of rubble,” such that “words had been muddled,” often in disastrous ways.
Walter Benjamin’s Ark brilliantly picks its way through that rubble, trying to salvage something from the cataclysm. It pieces together an upcycled collage of historical fragments, philosophical and literary texts, impossible conversations, in order to tell the imagined story of Walter Benjamin’s son, Stefan, and his journey as a deportee from England during the Second World War.’
‘A piece of innovative and meticulous scholarship.’
‘Walter Benjamin’s Ark is the story of a imaginary voyage spun out of a real one, of the ship Dunera that carried Walter Benjamin’s son Stefan from Britain to Australia. The voyage is a compound of many other voyages, on different fictional and historical wavelengths, its passengers a collection of stowaways, stand-ins, impostors, understudies, namesakes and doppelgängers, including a Wittgenstein, a Kafka and a trio of Wildes. By turns séance, vaudeville routine and somnabulistic seminar, and constantly invaded by refugee voices from the written words of Benjamin and others, this is a haunting, haunted voyage through a dream history of the Second World War. Once more, John Schad has come up with a wholly new, and utterly unforgettable way of writing history.’
‘“The Angel of History,” philosopher Walter Benjamin claims, is witness not to a “chain of events” but rather “one single catastrophe which keeps piling wreckage … in front of his feet.” No doubt this “pile of debris … [which] grows skyward” consists mainly of human wreckage, the dead; but, as John Schad’s weird and hallucinatory new book, Walter Benjamin’s Ark, demonstrates, it also includes language, texts, the very ability of human beings to communicate. The catastrophe that is mid-twentieth-century history, in particular, reduced texts to a “huge-and-disorderly-heap-of-unsorted BOOKS, a kind of rubble,” such that “words had been muddled,” often in disastrous ways.
Walter Benjamin’s Ark brilliantly picks its way through that rubble, trying to salvage something from the cataclysm. It pieces together an upcycled collage of historical fragments, philosophical and literary texts, impossible conversations, in order to tell the imagined story of Walter Benjamin’s son, Stefan, and his journey as a deportee from England during the Second World War.’
‘A piece of innovative and meticulous scholarship.’
‘Walter Benjamin’s Ark is the story of a imaginary voyage spun out of a real one, of the ship Dunera that carried Walter Benjamin’s son Stefan from Britain to Australia. The voyage is a compound of many other voyages, on different fictional and historical wavelengths, its passengers a collection of stowaways, stand-ins, impostors, understudies, namesakes and doppelgängers, including a Wittgenstein, a Kafka and a trio of Wildes. By turns séance, vaudeville routine and somnabulistic seminar, and constantly invaded by refugee voices from the written words of Benjamin and others, this is a haunting, haunted voyage through a dream history of the Second World War. Once more, John Schad has come up with a wholly new, and utterly unforgettable way of writing history.’