Wagner & Cinema: Indiana University Press (IPS)
Editat de Jeongwon Joe, Sander L Gilmanen Limba Engleză Paperback – feb 2010
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Specificații
ISBN-13: 9780253221636
ISBN-10: 0253221633
Pagini: 506
Ilustrații: 28 b&w illustrations, 35 musical exx.
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.73 kg
Editura: Indiana University Press
Colecția Indiana University Press (IPS)
Seria Indiana University Press (IPS)
Locul publicării:United States
ISBN-10: 0253221633
Pagini: 506
Ilustrații: 28 b&w illustrations, 35 musical exx.
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.73 kg
Editura: Indiana University Press
Colecția Indiana University Press (IPS)
Seria Indiana University Press (IPS)
Locul publicării:United States
Cuprins
Foreword / Nike WagnerIntroduction: Why Wagner and Cinema?: Tolkien was Wrong / Jeongwon JoePart I: Wagner and the Silent Film 1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908-1913 / James Buhler; 2. Underscoring Drama, Picturing Music / Peter Franklin; 3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter / Paul Fryer; 4. Listening for Wagner in Fritz Langs Die Niebelungen / Adeline MuellerPart II: Wagnerian Resonance in Film Scoring 5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner / David Neumeyer; 6. Wagners Influence on Gender Roles in Early Hollywood Film / Eva Rieger; 7. The Penumbra of Wagners Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still / William H. RosarPart III: Wagner in Hollywood 8. Soll ich lauschen?: Love-Death in Humoresque / Marcia J. Citron; 9. Hollywood's German Fantasy: Ridley Scott's Gladiator / Marc A. Weiner; 10. Reading Wagner in Bugs Bunny Nips the Nips (1944) / Neil Lerner; 11. Piercing Wagner: The Ring in Golden Earrings / Scott D. PaulinPart IV: Wagner in German Cinema 12. Wagner as Leitmotif: The New German Cinema and Beyond / Roger Hillman; 13. The Power of Emotion: Wagner and Film / Jeremy Tambling; 14. Wagner in East Germany: Joachim Herz's Der Fliegende Holländer (1964) / Joy Haslam CalicoPart V: Wagner beyond the Soundtrack 15. Nocturnal Wagner: The Cultural Survival of Tristan and Isolde in Hollywood / Elisabeth Bronfen; 16. Ludwigs Wagner and Viscontis Ludwig / Giorgio Biancoroso; 17. The Tristan Project: Time in Wagner and Viola / Jeongwon Joe; 18. The Threshold of the Visible World: Wagner, Bill Viola, and Tristan / Lawrence KramerPostlude: Looking for Richard: An Archival Search for Wagner / Warren M. Sherk; Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception / Sander L. GilmanAppendix: Interview with Bill Viola / Jeongwon Joe; Filmography: Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin with a postscript by Paulin; Index
Recenzii
"Timely, relevant, and absolutely central to what is going on in so many fields. The editors have done a terrific job in bringing together not only the most appropriate but also the most stimulating and exciting of contributors." --Linda Hutcheon, author of A Theory of Adaptation
"[T]he book . . . present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29
"A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text. . . . Recommended." --Choice
[Wagner and Cinema] looks at the plethora of senses in which Wagners music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries....Wagner and Cinema is a text that will no doubt be consulted for many years henceforward. - Nathan Waddell, Scope, Issue 24, 2012
"Timely, relevant, and absolutely central to what is going on in so many fields. The editors have done a terrific job in bringing together not only the most appropriate but also the most stimulating and exciting of contributors." --Linda Hutcheon, author of A Theory of Adaptation "[T]he book ... present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29 "A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text... Recommended." --Choice "[Wagner and Cinema] looks at the plethora of senses in which Wagner's music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries...Wagner and Cinema is a text that will no doubt be consulted for many years henceforward." - Nathan Waddell, Scope, Issue 24, 2012
"[T]he book . . . present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29
"A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text. . . . Recommended." --Choice
[Wagner and Cinema] looks at the plethora of senses in which Wagners music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries....Wagner and Cinema is a text that will no doubt be consulted for many years henceforward. - Nathan Waddell, Scope, Issue 24, 2012
"Timely, relevant, and absolutely central to what is going on in so many fields. The editors have done a terrific job in bringing together not only the most appropriate but also the most stimulating and exciting of contributors." --Linda Hutcheon, author of A Theory of Adaptation "[T]he book ... present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29 "A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text... Recommended." --Choice "[Wagner and Cinema] looks at the plethora of senses in which Wagner's music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries...Wagner and Cinema is a text that will no doubt be consulted for many years henceforward." - Nathan Waddell, Scope, Issue 24, 2012
Notă biografică
edited by Jeongwon Joe, Sander L. Gilman
Descriere
Discusses Wagner's legacy in sound and on screen