Visual Cultures in India: Contesting the Site of Sights
Editat de Arzuman Ara Contribuţii de Saba Anish, Nonlih Chohwanglim, Subir Dhar, Basil N. Darlong Diengdoh, Syed Murtaza Alfarid Hussain, Hrishikesh Ingle, Jayashree Kalita, Mohamed Shafeeq Karinkurayil, Theyiesinuo Keditsu, Silpi Maitra, Sonam Sultana Shah, Dwijen Sharma, Jyotirmoy Prodhani Cuvânt înainte de Usha Ramanen Limba Engleză Hardback – 5 feb 2025
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Specificații
ISBN-13: 9781666968422
ISBN-10: 1666968420
Pagini: 254
Ilustrații: 20 BW Illustrations, 2 Tables
Dimensiuni: 158 x 232 x 22 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
ISBN-10: 1666968420
Pagini: 254
Ilustrații: 20 BW Illustrations, 2 Tables
Dimensiuni: 158 x 232 x 22 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
Cuprins
Introduction
Arzuman Ara
Part I: Textuality and Materiality of Visual Cultures
Chapter 1. On Visual Cultures in India: A Keynote
Kailash C. Baral
Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena
Subir Dhar
Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication
Silpi Maitra
Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces
Hrishikesh Ingle
Part II: Representation and Visual Culture
Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films
Dwijen Sharma
Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture
Sonam Sultana Shah
Chapter 7. Representation of Women in the Film Posters of Bollywood
Arzuman Ara
Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography
Theyiesinuo Keditsu
Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements
Saba Anish
Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture
Jayashree Kalita
Part III: Visual Culture: Semiotics and Discourse
Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities
Jyotirmoy Prodhani
Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India
Syed Murtaza Alfarid Hussain
Chapter 13. On Possible Futures: Photograph as a Document of Migration
Mohamed Shafeeq Karinkurayil
Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects
Basil N. Darlong Diengdoh
Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body
Nonlih Chohwanglim
Arzuman Ara
Part I: Textuality and Materiality of Visual Cultures
Chapter 1. On Visual Cultures in India: A Keynote
Kailash C. Baral
Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena
Subir Dhar
Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication
Silpi Maitra
Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces
Hrishikesh Ingle
Part II: Representation and Visual Culture
Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films
Dwijen Sharma
Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture
Sonam Sultana Shah
Chapter 7. Representation of Women in the Film Posters of Bollywood
Arzuman Ara
Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography
Theyiesinuo Keditsu
Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements
Saba Anish
Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture
Jayashree Kalita
Part III: Visual Culture: Semiotics and Discourse
Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities
Jyotirmoy Prodhani
Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India
Syed Murtaza Alfarid Hussain
Chapter 13. On Possible Futures: Photograph as a Document of Migration
Mohamed Shafeeq Karinkurayil
Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects
Basil N. Darlong Diengdoh
Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body
Nonlih Chohwanglim
Recenzii
Visual cultures in India are incredibly diverse and rich, reflecting the country's complex history, religious practices, regional traditions, and contemporary influences. In today's age of visual cultures represented in many and varied forms from traditional graphics to digital platforms, a book like Visual Cultures in India critically revisits the iconization and visualization of the cultural tropes making the volume a significant academic contribution. Its interdisciplinary approach makes it outstandingly accomplished to cater to the needs of researches in Visual Studies, Media Studies, Culture Studies, and India Studies.
This volume presents innovative research on the new importances that visuality continues to acquire in India. Adopting 'lived cosmopolitanism' as an analytical lens, its contributions explore how images and seeing attain new significances in the context of the continually evolving relationship between India's rapidly expanding cities and its non-urban environments. Visual Cultures in India is therefore a much-needed addition to existing scholarship on the visual, and its manifold interpretations.
This wide-ranging collection of essays beautifully captures ways of seeing as a terrain of contested meaning, thereby providing vital insights into contemporary cultural productions in India and their relation to the search for truth.
This volume presents innovative research on the new importances that visuality continues to acquire in India. Adopting 'lived cosmopolitanism' as an analytical lens, its contributions explore how images and seeing attain new significances in the context of the continually evolving relationship between India's rapidly expanding cities and its non-urban environments. Visual Cultures in India is therefore a much-needed addition to existing scholarship on the visual, and its manifold interpretations.
This wide-ranging collection of essays beautifully captures ways of seeing as a terrain of contested meaning, thereby providing vital insights into contemporary cultural productions in India and their relation to the search for truth.