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Underground Dance Masters: Final History of a Forgotten Era

Autor Thomas Guzman-Sanchez
en Limba Engleză Hardback – 17 oct 2012
This book is a comprehensive, historical bible on the subject of urban street dance and its influence on modern dance, hip hop, and pop culture.
Urban street dance-which is now referred to across the globe as "break dance" or "hip-hop dance"-was born 15 years prior to the hip hop movement. In today's pop culture, the dance innovators from "back in the day" have been forgotten, except when choreographic echoes of their groundbreaking dance forms are repeatedly recycled in today's media. Sadly, this is still the case when dance moves that were engendered from 1965 through the 1970s on the streets of Reseda, South Central Los Angeles, Oakland, San Francisco, and Fresno, CA; or in the Bronx in New York City, are utilized by modern performers.

In Underground Dance Masters: Final History of a Forgotten Era, an urban street dancer who was part of the scene in the early 1970s sets the record straight, blowing the lid off this uniquely American dance style and culture. This text redefines hip hop dance and the origins of a worldwide phenomenon, explaining the origins of classic forms such as Funk Boogaloo, Locking, Popping, Roboting, and B'boying-some of the most important developments in modern dance that directly affect today's pop culture.
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Specificații

ISBN-13: 9780313386923
ISBN-10: 0313386927
Pagini: 192
Ilustrații: 23 bw illus
Dimensiuni: 156 x 235 x 20 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States

Cuprins

Acknowledgments
Prologue
1. Forgotten Era-An Initial Spark
2. 1965 and Soul Boogaloo
3. The Oakland Funk Boogaloo Generation
4. The Next Evolution in Oakland
5. South Central Los Angeles
6. Chain Reaction-The Valley Evolution
7. Posing to Punking
8. Oakland to San Francisco
9. Oakland Funk Boogaloo to Popping
10. The Bronx to the Burroughs
11. Reduced to the Level of a Toy
Epilogue
Notes
Index

Recenzii

An intriguing window into the work and world of Guzman-Sanchez, an urban street dancer, and the performances he was part of, starting in the mid-1960s and continuing through the 1970s and beyond. . . . Because of the author's central participation in the era examined, this brief volume serves as a primary document from a true believer and respected practitioner.